A deadly virus has wiped out most of the population. John and Michael have been surviving together since the beginning, finding food and avoiding the creatures that come at night. After months with no sign of another living human, the appearance of a young woman tests their friendship. It soon becomes clear not everything is as it seems.
The Last Ones (previously titled Last Days) is the feature-film debut of writer and director Andrew Jara. At first glance, this film seems like just another zombie apocalypse film. The film opens with John desperately trying to find his family with very unfortunate results. He is left alone in this post-pandemic world with his friend, Michael. The eventually find a daily routine as the months go by with no other living humans to be seen. Yet at night Michael guard their home from the living dead who sometimes stalk the area. Then John runs into a mysterious woman, Karina. Her presence changes the course of the film, bringing some interesting and unexpected elements into the plot.
In general, the plot is a very interesting one. There are some various twists and turns that deliver something audiences might not expect. Watching The Last Ones, horror fans will likely feel an influence of George A. Romero’s Night of the Living Dead. It is a slow burn of a film that gradually builds tension. Like Romero’s work, the plot also focuses much more on the tumultuous relationships between people rather than the undead threat outside. This shows a lot of promise for Jara’s future work.
Yet there are some elements of the film that don’t work quite as well. The beginning of The Last Ones is a bit rough at times. Some of the dialogue is a bit clunky and forced as it attempts to give the audience a bit of exposition. This feeling of clunkiness unfortunately isn’t help much by the performances. Mark Ocegueda plays John in his feature-film debut. His delivery of the dialogue is a bit awkward and void of emotion, but the dialogue and his delivery gradually improves as the film progresses. Marcelle Bowman (The Virus, Refuge) plays Karina. Her performance is adequate and also seems to improve throughout the film. The highlight performance in the film comes from Algernon D’Ammassa (Doc, The Cellar Door) as Michael. Some of his dialogue also feels a bit forced, but D’Ammassa does a great job of conveying an underlying menacing feeling about him.
Along with the overall plot of The Last Ones, the look of the film also appears to be an homage to Night of the Living Dead. The most obvious visual choice that hints to that is the fact that the film is entirely in black and white. This nod to Romero is also a wise decision as a micro-budget horror film. It allows the filmmaker to create the illusion of blood and gore without having to spend too much on practical or CGI effects. There is some minimal prosthetic makeup for the undead that realistically might not be that visually appealing, but the black and white masks it and makes the effects passable. One aspect that surprised me is the well-crafted musical score by Jordon Schranz.
The Last Ones is a classic zombie film with a twist that has its shortcomings, but still shows promise. Considering it is a micro-budget horror film and the first feature film by Jara, it is surprisingly well done. The film gets off to a rough start, from the dialogue to the performances, but gradually improve as the tension build. D’Ammassa is sure to stand out in viewers’ minds as a memorable performance. From the unique take on the zombie subgenre of horror to the homage to Romero, this imperfect film is still worth a watch. It holds my interest enough to make me curious what Jara will do next.
OVERALL RATING: 4/10