Month: September 2018

The Toybox

toybox

An aging father buys an old RV to take his estranged family on a road trip. Along the way the family picks up a pair of siblings stranded on the side of the road. The road trip has barely begun before things take a turn for the worst. The group ends up broken down in the middle of nowhere, but they are not alone. There is something haunting the rusty old RV, and it’s out for blood.

The Toybox is an interesting blend of horror subgenres. The film is directed by Brian Nagel (ClownTown) and written by Jeff Denton, both also starring in the film. This is Denton’s debut as a screenwriter, and it is a strong start to his writing career. There are a couple scenes where the dialogue doesn’t quite feel true to life, but otherwise the dialogue and plot flow very well. Together Nagel and Denton create a film that is emotionally driven by the family members coming together during the terrifying events, while also giving audiences a frightening film.

For the most part the film is a spooky ghost film. There is an entity haunting the RV, and all it wants to do is maim and kill anyone who enters it. What makes the film a blend of horror subgenres is who is haunting the RV. The film does a great job of leaving little clues throughout the plot as to who the ghost could be, or at least the type of person they were when they were alive. As a film about ghosts, there are some very scary moments in the film as well. There is at least one decent jump scare that got me, but what the film does even better are some of the more subtly tense moments. The filmmakers set up many frightening moments where you can easily see what is going to happen, but they make you wait and wait and wait, building the suspense so you are at the edge of your seat before the trap is sprung. It is a very effective method, and it makes for some of the more memorable moments in the film.

The cast of The Toybox is a talented mix of actors, some of which horror fans will easily recognize. Likely the most widely recognizable actor in the film is Denise Richards (Wild Things, Starship Troopers) as wife and mother, Jennifer. Richards portrays Jennifer as the peacekeeper in the family, whether it be between her husband and his brother, the brother and his father, or keeping her daughter calm. The film also boasts Mischa Barton (The Sixth Sense, The O.C.) as Samantha. In the past few years Barton has been a prominent figure in indie horror films, and she does a great job in this role. She portrays Samantha as a strong, independent character who is also intuitive. Samantha is the first character to notice something isn’t quite right with the decrepit RV. The remaining cast also delivers strong performances including writer Jeff Denton (Inoperable) as Steve, director Brian Nagel (Ouija House) as Jay, Greg Violand (ClownTown) as Charles, Matt Mercer (Beyond the Gates) as Mark, and young Malika Michelle in her first film role as Olivia.

While overall the plot and performances are high points of the film, there are certain aspects that are not quite as strong. One of the lingering questions I was left with after watching this film is who did Charles buy the RV from. There are ways that it could have been done supernaturally or through the internet. Unfortunately, it is mentioned that a man sold the RV to Charles in person, but that person is never referenced again (so it is left unknown if he was somehow in cahoots with the ghostly entity). The other aspect that doesn’t quite fit with the continuity of the film is the appearance of a ghost girl. Based on the nature of the haunting, without giving away too many details, the ghostly young woman simply doesn’t make sense. She is also featured in a scene that is one of the more frightening moments. The issue with this scene is that the haunting is supposed to be limited to inside the RV, yet the ghost girl is scene in the desert landscape.

The Toybox is a tense indie horror film that combines ghostly thrills with a claustrophobic setting. There are a couple aspects of the plot that may leave the audience with lingering questions, but it is still a strong first feature film from screenwriter Denton. He and Nagel clearly make a great filmmaking team. The highlight of the film is how the filmmakers build anticipation and terror. Add compelling performances, especially from the two strong female leads, and it is hard to deny the strengths of the film. This indie horror film is one road trip horror fans won’t want to miss.

OVERALL RATING: 7/10

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The Nun

nun

A young nun kills herself in a remote Romanian castle. The Vatican sends a troubled priest and a young nun who has yet to take her final vows to investigate. Their search leads them down a dark path. The pair realize an ancient evil is trying to escape and it is up to them to stop it.

This latest installment in The Conjuring universe is written by Gary Dauberman (Annabelle: Creation) and directed by Corin Hardy (The Hallow).  The film has a very dark and ominous tone. It creates a great gothic atmosphere that lends itself to the ancient Romanian castle. The plot is, for the most part, very simple. The ancient castle holds an evil that the nuns have been able to hold off over the years, but now it threatens to escape. That entity is the character Conjuring fans will remember as Valak. The film has some pretty frightening moments and Valak is not someone you would want to run into in an ancient Romanian castle.

Sadly, there are many flaws in this film as well. One that many fans will likely notice is how little Valak is actually in the film. There are many faceless nuns haunting the halls, but it isn’t really until the climax of the film that Valak becomes a prominent figure. The film also seems to lack any true direction. Other than trying to find out why the nun killed herself and stopping the evil entity, there are only a couple half-realized plot points. The story touches on the priest’s tragic past performing an exorcism, but then only uses that as a mechanism to include more scares in the film. The young nun accompanying him had visions when she was young, yet those visions don’t have much relevancy to the plot. What’s even more disappointing is how the filmmakers connected The Nun to The Conjuring films. Without giving anything away, there was a simple and more obvious way to connect the characters and the films. Yet, for some reason the filmmakers went for a route that was more forced and felt out of place with the rest of the film. There are also aspects of the climax that seem to be derivative of Demon Knight. Again, since I don’t want to reveal any spoilers, I won’t get into specifics, but those who have seen Demon Knight will see what I mean.

While the characters may not be fully fleshed out, the performances are still quite good. Taissa Farmiga (The Final Girls, Anna) stars as Sister Irene. Sister Irene is a different kind of nun than audiences are used to seeing. She asks questions, yet she is very devout in her faith. Her visions seem to be an important part of who she is as a person and why she chose to become a nun, yet they are really only mentioned in passing. Luckily, Farmiga acts beyond what she was given in the script to still allow audiences to connect to the character. Demián Bichir (The Hateful Eight, Savages) also gives a compelling performance as Father Burke. Similar to Sister Irene’s story, Father Burke discusses how he lost an innocent during an exorcism. This seems like it is a large part of his character, yet this part of his past ends up just being used as a way to scare audiences. Bichir does what he can, making me wish I could know more about his character. Then there is Jonas Bloquet (Elle, Valerian and the City of a Thousand Planets) as Frenchie. He is clearly meant to be comedic relief throughout the film, and Bloquet definitely is funny, yet the humor does not fit with the overall tone of the film. Frenchie is an entertaining character, but he feels pigeonholed into the film. A great cast is clearly underutilized, yet they did as much as they could with the material they were given.

The highlight of The Nun is the visuals. The set design is by far the most impressive aspect. The castle and surrounding grounds are both beautiful and haunting, making the film sinister from start to finish. Even though the film takes place in the 1950’s, it has a very medieval feel which lends to the ancient demonic presence the priest and nun are fighting. The evil itself has a very iconic look as well. Valak has a very striking look that is terrifying without needing to really try. While fans will recognize Valak and that demon’s look, the film uses other nuns as well to add to the fear. These nuns are faceless. They are creepy and their style allows for Valak to stand out as the primary focus. There is a good mix of jump scares and more subtle, spine-tingling moments that balance out nicely throughout the film.

Despite its early buzz, The Nun is likely to be quickly forgotten. The film boasts strong performances and some of the most striking visuals of any film in The Conjuring universe. What it lacks is fully developed characters and a complete story that connects well to the other films in the franchise. The Nun has enough frightening moments to make it a fun popcorn flick, but it lacks some of the substance fans will be used to from the rest of the franchise.

OVERALL RATING: 6/10

Diane

diane

A wounded military veteran lives a solitary life. He goes through the same routine day in and day out, until something unexpected breaks that routine. He awakes one morning to find the body of a beautiful singer in his back yard. Before calling the police, he takes a picture of her. As the police investigation tries to prove his guilt, the image of the dead woman haunts the man, threatening to shatter his sanity.

Michael Mongillo (The Wind) takes the helm as writer and director of this haunting film. The film is a slow burn. It begins with a small amount of character development before the discovery of the body. From there the film focuses on many different factors affecting the protagonist as his obsession with the dead woman grows. Around him there is the police investigation, people in the neighborhood who think he must be guilty, and maybe even the ghost of the woman he found. All of these things unravel the man’s mind. At times he even talks to himself or has wild dreams and hallucinations, all revolving around the woman. The tension slowly builds until the truth is revealed, which almost comes as a release of that tension in a more therapeutic way than is typically found in horror films.

The opening of the film is a bit odd. It starts with a somewhat awkward, drawn out song sung by the woman who will eventually be found dead. This is followed by a sort of “day in the life” sequence showing how the main character typically spends his days. The discovery of the body comes after the screen flashes “one month later.” In all honesty, the song and the “one month later” come across as quite unnecessary. It isn’t until the climax of the film that these cinematic choices by the filmmakers fall into place. The “one month later” becomes more significant, as does the song. I still believe the song borders on uncomfortable to watch, especially with how long it goes on, and the film would have benefited by simply starting with the day in the life of the main character.

Slow-burn horror films only work if the performances can carry the intensity and intrigue throughout the plot. There isn’t a large cast, so most of that responsibility is on the shoulders of the protagonist. The star of the film is Jason Alan Smith (Before I Wake) as Steve. Smith portrays Steve as a silent, brooding wounded military veteran who primarily keeps to himself. This character portrayal works well in the film. The military background specifically works well because it makes it more believable that a man would become so invested in what happened to the woman he found. The mental effects of combat would also explain his issues with memory loss and seeing things, even though the things he sees could also be supernatural.

There are many different color schemes used throughout the film that add some visual interest. The color schemes are used to differentiate between the present, memories, dreams, and hallucinations. The present has a rather bleak color palette, favorite washed out colors and greys.  It lends to the rather bleak existence Steve lives. The past is more vibrant and has more lifelike colors. In the dream sequences the primary color used is red, making it simple to determine when Steve is dreaming. When the hallucinations, or ghostly apparitions, appear they have a staticky appearance as if watching through an ancient television. Generally speaking this technique works well for the purpose of storytelling throughout the film. I personally have never liked the grey-scale, washed-out color scheme commonly found in small budget horror films, but it clearly has a purpose in this film.

Diane gives viewers a haunting mystery that blends psychological thriller with the supernatural. The plot presents an interesting puzzle to be solved and that puzzle is solved rather nicely by the end of the film. The color palette makes sense for the plot, despite my personal dislike for the grey-scale which is most commonly used. If the colors had been a bit more true to life, and the opening scene was cut, the film would have been more appealing. Yet this film still has a compelling story with a strong performance from Smith.

OVERALL RATING: 6.5/10