Creature From the Black Lagoon

The Shape of Water

shape of water

In the 1960’s a mute janitor, Elisa, works nights at a government research facility. She goes through the same lonely routine day after day, only able to communicate with her two closest friends, until the facility acquires a new “asset.” This asset is a strange and beautiful aquatic creature, as mysterious as it is dangerous. When Elisa forms a bond with the creature she decides that she must do anything she can to save his life.

Guillermo del Toro (Pan’s Labyrinth, Crimson Peak) is one of the most visionary writer/directors of our time. He is known for creating haunting films that are as strikingly beautiful as they are fascinating. While his credits include a number of fantastic films, The Shape of Water may be the most breathtaking film he has ever created. The plot seems to combine elements that display del Toro’s passions: classic film, The Creature From the Black Lagoon, and people who are considered “different” who find love and acceptance in each other. The influence of The Creature From the Black Lagoon is the most apparent aspect of the film. Del Toro himself has stated that it was his inspiration for the plot. What is more subtle is how del Toro injects his love of old Hollywood cinema into the film. Not only does Elisa reside above a movie theater, but she is often shown watching old black and white films with her neighbor and friend, Giles. Yet, it is the feeling of being an outsider, and finding others who feel the same, that is the focus of the film.

Elisa is not only mute, but she is an orphan as well. She is an outsider and spends much of her time alone. Her only two friends are also outsiders for a number of reasons; Zelda, who is a black woman in a time when that made you an outcast, and Giles, who is also an outcast in his own way. Their mutual loneliness brought them together as friends, and it is also what draws Elisa to the creature. She doesn’t see him as a monster. He is simply another outsider in need of companionship. This premise is something that many people can relate to in some capacity. The friendship that grows between Elisa and the creature makes the heart swell.

The entire cast of The Shape of Water delivers outstanding performances, from the leading lady down to fleeting roles that only last a few minutes. Sally Hawkins (Blue Jasmine, Never Let Me Go) is absolutely stunning as Elisa. Expressing strong emotion is difficult without a voice, but Hawkins does it perfectly. In a particularly powerful scene Elisa is desperately trying to explain to Giles why she has to save the creature. Watching Hawkins emotionally use sign-language to express her explanation is utterly heart-wrenching. Doug Jones (Pan’s Labyrinth, Hellboy) is also fantastic as the creature. Jones and del Toro have done many projects together, and Jones is known for his work as various strange beings that involve full body and face prosthetics. Much like Hawkins, Jones has to emote without the use of a voice, but he has the further disadvantage of not having a human face either. Still, Jones finds a way to push the emotion through the costume. Not surprisingly, Michael Shannon (Boardwalk Empire, Nocturnal Animals) delivers a very disturbing performance as Richard Strickland, the man who captured the creature and brought it to the facility. A common theme of this film is that humans are often the true monsters, and Shannon gives audiences a monster they can truly despise. While they have somewhat smaller roles, it is just as important to state how great the group was who makes up the remaining “outsiders” in the film: Octavia Spencer (Hidden Figures, The Help) as Zelda, Richard Jenkins (Cabin in the Woods, Let Me In) as Giles, and Michael Stuhlbarg (Boardwalk Empire, A Serious Man) as Dr. Hoffstetler.

As with most of del Toro’s work, The Shape of Water is visually exquisite. The creature design alone is absolutely gorgeous. There is clear inspiration from the look in Creature From the Black Lagoon, but del Toro made the creature much more sleek and beautiful. The prosthetics blend so well with the CGI of the creature, creating a striking and realistic being. Along with the creature design, del Toro also made each scene stand out with distinct color palettes. Via Twitter, del Toro explained the meaning behind each color choice made in the film. He explains that Elisa’s apartment and things in her world are the cyans and blues of water, while the homes of other characters are the warm tones of gold and amber. The color red is for “cinema, life, and love,” which is apparent in the red drapes in the movie theater and how Elisa wears more and more red during the film as she gets closer to the creature. Green is used to represent the future. It is a prevalent color in the government lab, fancy new cars, and other items of the future. These deliberate choices add meaning in places it would not normally be found, as well as elegance. These choices allow del Toro to achieve a truly breathtaking aesthetic throughout the film.

The Shape of Water may be the most stunning film I have ever seen. Visually, it draws you in with gorgeous creature design and fascinating use of colors. The performances are absolutely outstanding, and the characters are fascinating. The story del Toro creates in this film is one of being an outsider, and finding others who feel the same and creating an intense, strong bond. I rarely watch a film where I wouldn’t change a thing, and I virtually never give out perfect scores for films. The Shape of Water is an exception, as I wouldn’t change a thing, and it is wholly deserving of a perfect score. The Shape of Water is a film that people will be talking about for years to come.



Throwback Thursday Movie: The Monster Squad (1987)

I’m going to preface this by saying that this is a very biased review. I grew up watching this movie, some of my earliest movie-watching memories involve this movie, and I love it. That being said, it is still a pretty awesome movie. I have never introduced this movie to someone and have them not love it. It seems like the perfect choice for my Throwback Thursday movie review.

The film centers on a group of young teens that have their own monster club. They meet and talk about awesome monster movies and even have a clubhouse plastered with horror movie posters. The leader of their group acquires Abraham Van Helsing’s diary and soon realizes all the strange things that have been happening in their small town are leading to the end of the world. Who is trying to end the world, you ask? None other than all the classic movie monsters complete with Dracula, Frankenstein’s monster, the mummy, Wolfman, and the creature from the Black Lagoon. It’s up to these kids to stop the monsters from destroying the world and bringing about eternal evil.

This movie is not scary by any means, but it is insanely entertaining. The storyline is hilarious. It is often compared to The Goonies since they came out around the same time and both involve a group of kids that have to save the day. The writing is pure genius. Not only is the dialogue very witty, but there are also some amazing one-liners. One of the more famous lines that you may have heard before is “Wolfman’s got nards!”

This being an eighties movie, there are some great practical effects as well. Frankenstein’s monster of course has gorgeous makeup, along with the creature from the Black Lagoon. One top of that, the practical effects used when Wolfman makes his transformation and the mummy gets unraveled are very impressive.

This film really has everything you could want from a light-hearted eighties horror flick. It is witty, it has great practical effects, the storyline is very original, and it appeals to people of all ages. This is a movie that I would highly recommend if you are looking for a “gateway movie” to introduce children to the horror genre. It is also very fun to watch with a group of drunken friends. I truly hope you enjoy the movie, because it has given me much joy since the tender age of 4.

OVERALL RATING: 10/10 (I told you I was biased)