Horror Movie Review

Annabelle: Creation

ANNABELLE-CREATION-POSTER

A couple lost their young daughter in a tragic accident. Years later they decide to invite a nun and a group of orphaned girls to live with them after their orphanage closed down. An evil trapped within the house awakens and now it’s after the soul of one of the girls. The strange supernatural occurrences get worse with each passing day, threatening the lives of all who live in the house. It is up to the girls to try and defeat what could be the Devil himself.

After the less than well received Annabelle prequel of 2014, New Line Cinema decided to attempt a prequel to the prequel. They brought on Gary Dauberman, who also wrote the first Annabelle film, and director David F. Sandberg of Lights Out fame. These two manage to create a film worthy of being apart of The Conjuring universe. Bringing Sandberg in to direct was a great decision by the production company. Even though Annabelle: Creation is only his second feature length film, Sandberg has proven that he is a skilled horror storyteller who knows how to scare audiences. He expertly uses light and shadows to his advantage to not only bring exciting jump scares, but he also relies heavily on creating an unsettling atmosphere with more subtle spine-chilling scares. He also sets up scares in a very long, drawn out way that builds anticipation. You keep expecting the scare to come, but then it doesn’t until you are caught off guard again. Sandberg has already improved his skills since Lights Out, his first feature film, so I look forward to seeing more of his work in the future.

Bringing Dauderman on to write again was probably the best decision for this film. He has a clear understanding of the mythology created both in The Conjuring and in Annabelle. One of my biggest concerns going into Annabelle: Creation was how they were going to connect it to the first Annabelle film. I was almost expecting them to do what the latest Resident Evil film did and create an entirely new origin story, ignoring the previous film. Dauberman connects the two films in such a seamless manner. It is even more flawless than I could have imagined. On top of that, Dauberman creates a cast of compelling characters, each with their own fears that “Annabelle” tries to exploit. You care about each character, especially young Janice, who is recovering from polio. Caring about the characters makes the demonic presence all the more terrifying.

Having compelling characters would mean nothing if not for the actors who play them. While there are many characters, all of whom are important to the plot, it seems that there are two main characters of this film. Talitha Bateman (The 5th Wave, The Hive) plays Janice. Janice is a young orphan who is recovering from polio and has to use a crutch to get around. She suffers the most from the demon since she is the weak link of the orphan girls. Bateman is a new young talent and she absolutely shines in this role. From innocent girl trying to be strong for her friend to possessed by evil, Bateman shows range in her performance and I find myself completely enthralled by her. Lulu Wilson (Ouija: Origin of Evil, Deliver Us From Evil) also gives a stunning performance as Janice’s best friend, Linda. While Wilson excels in this role, I found her to be a bit of a distraction. She had just been in Ouija: Origin of Evil last year, and not only was this another horror prequel but it was set in a similar time (although I think chronologically Annabelle: Creation is earlier). Wilson is great as Linda, but I can’t stop thinking of her as Doris, especially since that film isn’t even a year old. The entire cast does a great job, making each character enjoyable to watch.

In keeping with other films in The Conjuring universe, Annabelle: Creation relies almost entirely on practical effects. Primarily the effects are to make the deceased daughter look unsettling. There is one scene where the makeup done on the girl goes a bit over the top, combined with her line of dialogue, to make it much more funny than scary. Aside from that, the effects are very well done, especially with the demon. While the demon is kept mostly in the shadow, which makes it even more disturbing, they keep its look simple and iconic. Often times what you don’t see is even more terrifying than what you can see, and Annabelle: Creation is a perfect example of that.

I went into Annabelle: Creation somewhat guarded and with low expectations. I came out of the theater with a partially numb arm from crouching awkwardly in fear. Annabelle: Creation is the most frightening film of 2017, so far, and it renews my faith in The Conjuring spin-off films. There are a couple scares that come across more funny than frightening, and I found the casting of Wilson to be rather distracting, but overall I am very pleased with this film. It is exceptionally well acted, has great scares, and perfectly connects to the films that came before it. Annabelle: Creation truly exceeds my expectations. Be sure to keep an eye out for a couple fun Easter eggs in this film, as well as a mid and post credit scene that you won’t want to miss.

OVERALL RATING: 7.5/10

Beyond the Gates

beyond_the_gates_xlg

After their father’s mysterious disappearance, two estranged brothers come together to go through their father’s belongings. The first stop is the family’s old video store. While combing through the large inventory the brothers come across an old VHS board game. They decide to take the game home and give it a try. As soon as they hit play the brothers realize that this game may have something to do with their father’s disappearance, and they have to play in order to save him.

Beyond the Gates immediately does an excellent job of immersing viewers in the past while keeping the film in the present. As soon as the brothers step into the old video store it is like taking a step back in time. It will instantly make you think of your Friday nights spent perusing the racks of VHS tapes at Hollywood Video or Blockbuster. While not everyone experienced the VHS board games that were popular in the 80’s and 90’s, the nostalgic message still comes across loud and clear. The audience gets to experience that nostalgia through the eyes of the brothers, one who is trying to move on from the past and one who seems to be stuck in it. Gordon is the level-headed brother that wants to forget his father and be rid of all his father’s assets. His brother, John, still has fond memories of better times spent in the video store. They have an interesting dynamic because it is clear at one time they were very close, but time and distance has pulled them apart. They start their reunion off quite awkwardly around each other. It isn’t until they dive deeper into the game that they become closer.

In general, the plot is very compelling. The relationship between the brothers and the mystery is fascinating to watch unfold. Unfortunately, the film loses some of its spark in the final act. The excitement builds and builds throughout the film, but then what should be the climax “inside” the game ends in a fizzle. When the brothers cross over into the game the smaller budget becomes apparent, resulting in funky lighting, fog machines, and not-so-scary bad guys. It’s hard to determine if this was due to the film’s budget, or if this was another stab at nostalgia since many films of that era ended in a similar fashion. Either way, it detracted from the rest of the events that preceded it.

While the entire cast of this film are phenomenal, special recognition goes to the two leads. Graham Skipper (The Devil’s Dolls, Space Clowns) plays the straight-laced Gordon. Despite his somewhat rigid demeanor, Skipper makes Gordon a likable and complex character. Skipper especially shines when the story dives deeper into why Gordon hates his past so much. Then there is Chase Williamson (Sequence Break, John Dies at the End) as John. This is the kind of character that Williamson is best at, a man stuck in the past that could potentially be considered a bit of a loser. Yet he is always endearing and lovable. The on screen brotherly chemistry between Skipper and Williamson is pure magic.

Since Beyond the Gates highlights the 80’s and 90’s VHS board games, it only makes sense that the filmmakers would opt for practical effects. That being said, there really aren’t a lot of them. The director smartly found creative ways to carry out the couple kills in the film in a way that hints at gore more than anything else. It was a very imaginative way to give the audience the excitement they expect from a horror film without completely blowing their budget on elaborate practical effects. The only part of the film that could have benefited from more effects was the climax, but everything leading up to the point works well within the context of the film.

Beyond the Gates is dripping with nostalgia and gives horror fans a compelling story that will take them back to their childhood. It has such a fun and unique story, as well as a great cast of characters, that I have no doubt it will become a cult classic. Barbara Crampton (Re-Animator, From Beyond) has a hilarious cameo that alone makes the film worth a watch. Unfortunately the climax will likely leave viewers wanting something more. If it can be overlooked, then Beyond the Gates will become a household favorite among horror fans young and old.

OVERALL RATING: 7/10

Alien: Covenant

images

A crew is taking a ship filling with sleeping colonists to a new planet that makes a perfect habitat for humans. After an accident, the crew is woken up out of cryosleep. They then get a distress call from a nearby planet. Not only is this yet another planet perfect for human life, but the distress call seems to have come from a human as well. Unfortunately for the crew, everything on this planet wants them dead.

The general premise of this film is a very interesting and it wastes no time in getting the action going. I find the characters to be compelling, the sequence of events is thrilling and terrifying, and there are a few great twists and turns. The filmmakers even manage to trick me a few times and throw in a few surprises I didn’t expect. There are also quite a few different variations in the Xenomorph and how people become “impregnated” with the aliens, which is gruesome and fascinating. Covenant has a lot of the more grandiose aspects of Prometheus in that there is a whole new planet to be explored, but it also has some of the more intense and claustrophobic scenes that fans of the first Alien will recognize. Unfortunately there is one large problem with the story; plot holes.

The film connects to Prometheus, as it should, fairly early on in the story. While this adds a lot of intrigue and answers some questions audiences had after watching Prometheus, it actually offers more new questions than it does answers. There are certain events that don’t make sense with the evidence at hand, don’t fit what people said happened, and there are also random things that are just never explained. I won’t speak about specifics because that would reveal some of the plot twists. However, I will vaguely say that it is explained what happened to David and Shaw when they left to find the planet of the Engineers. The problem is that what is said, what we are shown, and various pieces of evidence simply don’t match up. It’s unfortunate because if the filmmakers had done a bit of rewriting here and there, or simply cut one or two scenes, the films would make perfect sense. As it is, the plot will leave audiences confused more than anything else.

The cast in Alien: Covenant is one of the best aspects of the film. Katherine Waterston (Fantastic Beasts and Where to Find Them, Inherent Vice) brings a powerhouse performance as Daniels. She is strong, questions authority when it is needed, and is willing to face anything that comes her way. Waterston manages to make Daniels the ultimate female role model, much like what we saw Sigourney Weaver do with the infamous Ripley. Then of course there is Michael Fassbender (Prometheus, X-Men: First Class). Fassbender plays more than one character in this film and he does it exceedingly well. Not only does he change his speech as the various characters, but he even changes his entire body language. It makes it clear which character Fassbender is playing every time he is on screen. Danny McBride (Pineapple Express, Eastbound & Down) should also be mentioned for his portrayal of Tennessee. While he clearly is meant to be the comedic relief of the film, McBride still gives audiences a fantastic dramatic performance. All in all the entire cast lends to the excitement and drama of the film.

My personal favorite part of this film is the fantastic creature design and special effects. As I mentioned before, Alien:Covenant gave the filmmakers a unique opportunity to come up with new and exciting ways for the crew to be impregnated by the alien lifeforms, as well as giving audiences new Xenomorphs at their various stages of life. The combination of practical and CGI effects are sewn together so seamlessly that it is difficult to tell where one ends and the other begins. This film also feels much more graphic in the amount of gore and the way people are killed than most of the previous Alien films. While the body count in previous films may be bigger, the deaths seem to be more violent and grisly in Covenant. The aliens and the gore are simply superb.

Alien: Covenant is a thrilling nightmare to follow Prometheus, but it has rather large plot holes. Whatever answers audiences get, they are left with even more questions by the end of the film. Moving past those issues, Alien: Covenant still brings a lot of excitement and new mythology to add to the Alien franchise. It is also packed with out of this world performances from a great cast and frighteningly good practical and CGI effects. It still has me looking forward to what Ridley Scott can come up with next film in a franchise that has endured for nearly 40 years.

OVERALL RATING: 7/10

Game of Death

MV5BNGU0YjhjOWMtYTc3ZC00M2JkLWE4ZmYtYjI5YjgwOTk4MTQ2L2ltYWdlXkEyXkFqcGdeQXVyNTI1MzA3MTQ@._V1_SY1000_CR0,0,695,1000_AL_

A group of spoiled rich friends partying at a lake house stumble upon a strange game. The box says it is called the “Game of Death.” The group decides to play the game as a joke. When the strange game takes a bit of each player’s blood and says they have to kill 24 people to survive, the friends leave the game and go back to their drugs and alcohol. Soon it becomes explosively clear that if they don’t play the game and kill 24 people before time runs out, it will be the friends who lose their lives.

The concept for Game of Death is definitely a fun and interesting one. The idea that if these kids don’t do as the game says it will kill them makes for an exciting ride. It is almost like a horror version of Jumanji with a hint of Battle Royale mixed in. Unfortunately, that is about where the good plot points end. The two biggest flaws in this film are the characters and the dialogue. In horror films there are often characters that are despicable for various reasons. These are the characters you don’t care as much about, so when they get killed it’s more of a relief than anything else. This is how every character in the film is written. None of them have any redeeming qualities that make you care whether they live or die. When the whole point of the film is life and death, it makes the events that follow feel rather lackluster. The dialogue between the characters is also a bit cringeworthy. It is very choppy sounding and forced, almost as if you are watching a soap opera. It is unfortunate that such a promising idea falls short of its potential because of these factors.

Whether because of the writing or not, the acting is yet another shortcoming of Game of Death. I have a feeling the various young actors in this film are perfectly fine in other roles, but because of the characters they play and the lines they are forced to deliver there is not one among them that I can say I enjoyed. At the same time I don’t think I can say any one of them was terrible either, another sign that this is more due to the writing than anything else. Of the entire cast the most enjoyable performance came from Erniel Baez Duenas (19-2) as the pizza delivery boy and drug dealer, Tyler. Even though he is a drug dealer, Tyler is the least revolting of the characters. Duenas does a good job of making Tyler the most relatable character as well because he wants to survive, but he also seems to be the one with the biggest conscious of the group. Beyond that, it is hard to find another character or performance that doesn’t make me cringe at least twice.

One of the best aspects of this film is the visuals. The opening sequence is particularly gorgeous. The filmmakers went with an eighties-inspired video game look for the credits. As I watched them it made me hopeful for the rest of the film. Another instance of great visuals is a strange killing spree montage. Here the filmmakers implemented many different animated styles to show two of the characters having a grand time killing people for the game, without actually showing any real violence. This was probably one of the smartest moves made in the film. It shows some restraint in what could have otherwise been a complete gorefest. The few practical effects of the film are also surprisingly beautiful. Without giving too much away, the way the kids playing the game are killed if they fail to kill someone else in time is quite graphic. The practical effects for those kills are incredibly well done and create some horrific imagery.

Game of Death is a fun concept for a horror film that leaves a lot to be desired. The writing is the most unfortunate part of the film, but looking at the other credits of the writers for the most part this is the first (or one of the first) film each of them have written. That leaves room for growth, so don’t necessarily write them off just for this film. If you can make it through the regrettable dialogue and the repugnant characters, at the very least you will get to see some fascinating visuals scattered throughout.

OVERALL RATING: 4/10

Sequence Break

sequence-break-poster-watermarked

Video games can be addicting. For Oz, they are his whole life. Not only does he love playing them, but he also works at an arcade game repair shop. In a short amount of time two interesting things happen; Oz meets a young woman, and a mysterious arcade game gets left at the shop. From then on, Oz is pulled in two different and opposing directions. One is the pull to be with the woman he cares for and the desire to live a complete life, and the other is his obsession for the arcade game – and the game does not want to lose.

Graham Skipper manages to create an interesting, creepy, and sometimes disgusting story in Sequence Break. On the surface the film is about a video game that threatens to destroy a man’s life. After Oz finds it in the shop and plugs the game into an old arcade console, it quickly begins to take over his life. What’s more bizarre is that the game seems to come alive every time Oz plays it. The game even takes on certain organic physical characteristics, creating a biomechanical monstrosity. These scenes create disturbing imagery and can be downright gross at times, but they are also quite fascinating. There is also a strange drifter always in the background, willing Oz to play the game more and more. It all results in a unique film, utilizing something familiar like a video game and turning it into something much more sinister.

The second, deeper layer is what makes this film a true work of art. There is a constant underlying metaphor for obsession and addiction. In this particular case it is an addiction to video games, but it can be applied to any addiction. Oz’s whole life is taken over by video games even before the mystery game appears. The first time he meets the woman he falls in love with, he doesn’t even notice her because he is so consumed with whatever game he is working on at the time. It isn’t until he starts dating the woman and begins to move away from his obsession with the games that the mystery game tries to take hold of him. The game is his addiction, and it attempts to be everything for Oz so that he will never need the outside world. There are even instances where the filmmakers manage to insert subtle clues as to Oz’s state of mind throughout the film. The story and imagery create such a compelling metaphor that shows, no matter how hard a person tries to break free and live their life, addiction will always try to suck them back in.

The two leads in this film are great, and their on screen chemistry is electric. Horror fans may recognize their chemistry as both leads acted together in another horror film, John Dies at the End. Chase Williamson (Beyond the Gates, The Guest) plays Oz. What makes Williamson’s performance so compelling is how he can make a pathetic slacker character so lovable and enjoyable to watch. This is something we have seen Williamson do in previous roles as well, and he never disappoints. Then there is the ever lovely Fabianne Therese (Southbound, Starry Eyes) as Tess. Therese brings a lot of heart to the film in her portrayal of Tess, which she will need to get Oz away from his addiction. Every time Therese is on screen your eye is immediately drawn to her. She lights up the screen and plays Tess in a very endearing way. Williamson and Therese’s powers combine to create the perfect duo to tug at the audience’s heart strings through every twist and turn.

Throughout the film there is a rather unsettling use of practical effects. All of the effects are centered around the mystery video game. Specifically, when the game moves away from the mechanical side and goes more toward the biological side. Not only are these effects incredibly well done, but they are sometimes a bit gross. The first time the biological aspects are seen it makes viewers feel like they are watching something they shouldn’t be. It adds a peculiar sexual aspect to an inanimate object that makes the viewer feel a bit uncomfortable, but at the same time you can’t look away. Each time the game is played the effects become more and more grand, leading to some very unusual and fantastical imagery.

Sequence Break is a surreal scifi-horror mashup that manages to be both unsettling and beautiful all at once. It is incredibly disturbing to watch, yet it also brings to light the sad truth of addiction and how it can completely consume a person’s life. The striking visuals and amazing acting by the two leads only add to the power behind the plot. While there are a few scenes that made me cringe and want to look away, I can say with confidence that my eyes never left the screen. This is a film that will leave your eyes devouring every moment, no matter how disturbing.

OVERALL RATING: 8.5/10

Sweet, Sweet Lonely Girl

sweetsweet

Adele has always been a shy, sweet, responsible girl. Adele’s mother sends her to live with and care for her sick, agoraphobic aunt. Soon after moving in she meets Beth, a sensual, mysterious young women. The more time the young women spend together the more Adele’s limits are tested. Soon her life begins to spiral down a path of lust, obsession, and something much darker.

From the very first frame this film has the feel of the 1970’s. Everything from the clothing to the cinematography transports you to a different era. It isn’t until we see Reagan on a television in the background that the time period is confirmed as likely being in the early eighties. To be honest, the addition of Reagan on the TV was unnecessary to determine the time the film takes place in, and I believe the film could be a bit more intriguing if this had been excluded. The gorgeous cinematography, the haunting music, and the mysterious nature of the plot all lend to the early-seventies, Italian-inspired atmosphere of the film. It gives the film a distinct giallo look and feel.

The film has a very sexy gothic quality to it that only enhances the relatively simple story. Adele is so innocent and naive. As she spends more and more time with Beth, who is a wild and a free spirit, Adele starts to do things that she normally would never do. What is even more interesting is how her actions directly affect the aunt that she cares for. It is fascinating and tense to watch Adele’s actions spiral out of control as she becomes increasingly infatuated with Beth. While the story is interesting and the film itself is beautiful to watch, the end is a bit rough. It adds a supernatural element that works with the style of the film, yet it doesn’t make very much sense. When I finished the film I found myself trying to analyze the end and was unable to make sense of it. It is almost as if there should be one more scene in the film, that perhaps got cut, that would better connect all the elements.

Sweet, Sweet Lonely Girl continues the horror film trend in recent years that focuses on young women coming into their own. Adele is shy, awkward, and clearly repressed in more ways than one. She always does what she is told whether it be by her mother or her aunt. Beth is the conduit that allows her to break free from the bonds of responsibility. Their friendship allows Adele to branch out from her comfort zone, both by breaking the rules and discovering her inner sexuality. It is almost as if Beth is the embodiment of the person Adele wishes she could be.

Both of the young actresses in this film do a stellar job. Erin Wilhelmi (Disconnect, Perks of Being a Wallflower) is brilliant as shy little Adele. She is so innocent and follows all the rules. It is fascinating to see Wilhelmi convey Adele’s transformation as she has a sort of sexual, rebellious awakening as she spends more time with Beth. Quinn Shephard (Unaccompanied Minors, Hostages) is also brilliant as Beth. Shepard plays the character in such a way where you sense there is more to her than meets the eye, and she simply oozes sensuality. Wilhelmi and Shephard together have amazing on-screen chemistry. It is impossible to take your eyes off of them.

Sweet, Sweet Lonely girl is a seductive and atmospheric film that will take you back to a different era of film. The sinister and sexual nature will draw you in and hold your focus, as will the astounding cinematography and remarkable performances by both Wilhelmi and Shephard. This could almost be a flawless film if not for the somewhat confusing ending. While it doesn’t necessarily ruin the film, it may leave you scratching your head as the credits roll. My advice would be to simply take the ending for what it is, and don’t attempt to read too much into it. Either way, you are in for a treat.

OVERALL RATING: 8.5/10

A Dark Song

ads_076_low-res

Sophia’s young son was kidnapped and murdered. Now she is trying to find a way to contact him. After much research and effort, she rents a house in a secluded part of Wales. Sophia then hires an occultist to come stay with her in the house in order to reach her Guardian Angel. The process involves days, weeks, and even months of meticulous rituals. This process will test them psychologically, and it will even threaten their lives.

Many people wish they could talk to a deceased loved one. So much so that it is common in horror films to have that as the driving force of the plot. While trying to reach the dead is common enough, A Dark Song manages to give a completely unique take on this concept. The ritual in this film isn’t some simple incantation or sacrifice that allows you to achieve your goal in a matter of minutes. It is a series of precise and intricate rituals that have to be performed over and over for weeks on end in order to purify your soul. The tedious nature of this makes the film very intense, almost even anxiety inducing. If one little mistake is made it could all end in disaster. What’s even worse is that the pair are trapped inside a house together for the entirety of the process, adding a claustrophobic feel to the situation. The first 3/4 of the film focuses entirely on the ritual process. Then there is a shift in events, and the last 1/4 of the film involves more excitement. No matter which part of the film you focus on, the originality of the plot is simply undeniable.

While A Dark Song is very much about magic and the occult, it is also about a woman against the world. Sophia has completely dedicated her time, money, and life to finding someone to perform this ritual. While her motives may not be quite what they appear, she is clearly consumed by the death of her son. Her family is against what she is doing, and she has no true support system. Even the occultist, Solomon, acts against Sophia. Despite the fact that she is paying him to perform this ritual he makes it clear that he is in charge, and Sophia has to do anything and everything he tells her to do. It creates a bizarre dynamic between the two because Sophia must follow Solomon’s instructions to achieve her goal, yet she clearly feels hatred towards him and following his orders goes against her instincts.

Because 90% of this film focuses on two characters it would not have turned out so brilliantly if it hadn’t been for the exquisite talent of the actors. Catherine Walker (Leap Year, Patrick’s Day) plays the grieving mother, Sophia. Walker does such a phenomenal job of showing Sophia’s internal struggle of wanting to complete the ritual, yet being distrustful of the occultist who is supposed to help her. It is amazing how her feelings play so well on her face, even if her actions are saying something different. Steve Oram (The Canal, At World’s End) is also fantastic as the occultist, Solomon. Even though he is there to help Sophia, and being paid to do so, Solomon has no filter and makes sure it is clear he is in charge. Oram plays this part so well because he manages to be completely deplorable while also making the audience like him for what he is doing to help Sophia. The dynamic between these two actors is so incredible that I couldn’t imagine any other actors in these roles.

A variety of effects are used throughout the film. While most of the effects can be seen at the climax, there are still some smaller ones scattered throughout earlier in the film. One scene that stands out early-on employs CGI to make it appear as though gold flakes are raining down from the ceiling. It is so beautifully done and adds an element of fantasy and whimsy in a film that is otherwise completely shrouded in darkness. The practical effects in A Dark Song are used sparingly and, again, primarily during the climax (so I won’t go into detail). I can say that they are well done and very creepy. The ultimate scene of the climax utilizes gorgeous CGI. Again, I won’t go into too much detail, but while the scene is beautifully done it will definitely divide audiences on whether they like it or not. I personally think it works quite well with the story, but others might find it to be a bit much.

A Dark Song is a gorgeous film that is guaranteed to be polarizing to audiences. Some people will prefer the first section of the film because of the tense feeling it creates, while other will find it a bit slow and boring. Then there will be some who prefer the last part of the film because it has the most action, and others will dislike it because it feels less grounded in reality than the rest of the film. Even the ultimate climax of the film is quite polarizing in how audiences will view it. As a whole, I think the film is fantastic. It is intense, beautiful, frightening at times, expertly acted, and has some of the most unique pieces of plot and imagery I have ever seen.

OVERALL RATING: 9/10