Horror Comedy

Lowlife

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El Munstro is the latest in a long and proud line of famed luchadors. While El Munstro had always been a symbol of hope for the Mexican people, this El Munstro works for his thug father-in-law named Teddy who meddles in underage prostitution and organ harvesting. Crystal is a recovering addict. She struggles with running her motel while also trying to keep her alcoholic husband alive, with Teddy’s help. Keith is Teddy’s accountant who picks up his best friend, Randy, from jail. Except Randy walks out of the prison doors with a giant swastika covering his face. These people don’t have much in common, but their worlds are about to collide.

This is director Ryan Prows’ first feature film, which he cowrote. The film was also written by Tim Cairo, Jake Gibson, Shaye Ogbonna, and Maxwell Michael Towson (Towson being the only one to have written a feature length film before). Lowlife is broken into different sections, allowing you to get to know each of the main characters. The segments are titles “Monsters,” “Fiends,” and “Thugs.” People will immediately be reminded of Quentin Tarantino’s Pulp Fiction, mostly due to the way the film is broken into separate subplots that all intertwine. While that connection is justifiable, Lowlife seems to take that concept and perfect it. The individual stories for each character feel complete, and with each segment more and more is revealed. The filmmakers designed it so the audience can understand more about what is happening with each segment, while also showing what is happening from different points of view. When the different subplots finally come together, it makes the climax of the film all the more intense and enthralling.

What pushes this film beyond being a typical suspenseful (sometimes comedic) drama with a bunch of unsavory characters is how much heart this film has. For the most part, all of the characters are truly horrible people. Yet, somehow, the filmmakers still make you care about what happens to them. The character arcs also show some interesting changes and growth from beginning to end that isn’t normally seen from these types of characters. There are also so many layers, not only to the plot but also to each character, that show no one is perfect. Each individual just tries to live their life the best they know how to.

The multidimensional characters would not have been as fascinating without the work of some fantastic actors. Ricardo Adam Zarate (Deadly Films) makes his feature film debut as El Munstro. This character speaks entirely in Spanish and is never seen without his luchador mask on. Zarate perfectly portrays how El Munstro straddles the line of being the noble fighter he believes he is, and the somewhat unstable madman he truly is. The way Zarate is able to emote through the luchador mask is also outstanding. Nicki Micheaux (The Shield, Animal Kingdom) shines as motel owner Crystal. Micheaux’s performance stands out because she brings the most heart and emotion of all the characters. It is impossible to watch her performance and not feel a strong sense of empathy for Crystal. Jon Oswald (Mata Hari, Boomerang Kids) plays the now ex-convict Randy. As soon as Randy appears on the screen with a swastika on his face, audiences will expect to hate him. Surprisingly, the writing combined with Oswald’s performance make Randy the most enjoyable character. He is funny without trying to be, and he is probably the only one of the characters who could be considered a wholly good person, despite what his appearance would suggest. Finally, there is the character Teddy, played by Mark Burnham (Wrong Cops, Hidden in the Woods). Burnham’s look in the film at first seems over-the-top, but his performance of the despicable and soulless Teddy brings all the flash and color back to earth. All of these actors, as well as one not mentioned here, will make you remember this film.

This is not a horror film, yet I am still writing this review for it. It may defy being placed in any one genre, but I would say it is mostly a thrilling crime drama with comedic elements. After watching this film at the International Horror and Sci-fi Film Festival, it was clear to me that I couldn’t see it without spreading the word about it. Lowlife gives a riveting snapshot into a world filled with criminals, yet it chooses to focus on the good within that deranged world. It weaves through multiple different plot lines, then sews them together seamlessly by the end of the film. The entire cast is outstanding, the writing is phenomenal, and it is incredibly well directed. If the fact that I wrote a review for this film on my horror site doesn’t make it explicit enough, let me make it more clear: go see this film.

OVERALL RATING: 9/10

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Rock Steady Row

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In the not so distant future, college campuses become survival of the fittest. Two warring fraternities have taken over Rock Steady University campus leaving the rest of the student body to fend for themselves. On his first day of college, Leroy’s bike is stolen by one of the fraternities. Leroy attempts to get his bike back leading to fights, conspiracies, and a very strange freshman year.

This film is very difficult to fit into a specific genre. There are both dramatic and comedic elements, and at times there is action. An argument could be made that it is post-apocalyptic, and the film even feels like watching a video game in certain scenes. The film is definitely a hodge-podge of many different genres all rolled into one, and that is part of its charm. This is the first feature film directed by Trevor Stevens and written by Bomani Story. The pair took a simple concept, a freshman’s bike being stolen on campus, and turned it into an epic tale. While the universe created in the film is an extreme caricature of the real world, it is still something relatable and accessible to any viewer who spent time going to college. The plot simultaneously makes fun of fraternities, points out the capitalist habits of many universities, and shows that it often takes more than just intelligence to get a higher education.

The cast features many caricatures of people you likely encountered in college. Heston Horwin (Run, Speechless) plays freshman Leroy. In a way he is a typical college freshman, completely self absorbed and only concerned with himself and his bike. As his arc progresses, Horwin brings more heart to the character. Leroy goes through some fairly elaborate schemes to get his bike back, and watching Horwin portray this character through all his trials and tribulations is quite entertaining. Two of the most fun characters to watch throughout the film are the two fraternity leaders, Andrew Palmer and Augustus Washington III. Andrew is played by Logan Huffman (Final Girl, Lymelife). Huffman plays the caricature of the ultimate bro frat boy who thinks he can get whatever, and whoever he wants.  He is everything a person could hate in a frat boy, and Huffman plays Andrew so well he will make you laugh while your skin is crawling. Augustus is played by Isaac Alisma (Ready Set Blahe, The Arabian Warrior). Augustus is a different type of frat boy. He is the leader of the intelligent, borderline geeky, but still hip and cool frat. Alisma does a great job of making it unclear who Augustus is loyal too, although it is no secret that his own fraternity is always number one. Diamond White (Boo! A Madea Halloween, F*&% the Prom) plays Piper. We all know that person on college campus who is the perpetual activist, trying to expose the truth and make the campus a better place. Piper is that person in Rock Steady Row. White portrays Piper in a way that makes her straddle the edge of being too perfect, but she is still the most grounded and heart-filled character of the bunch. All of these actors and characters work well together on camera, making for scenes that run the gambit of emotions for the audience.

Of all the films I saw at the International Horror and Sci-fi Film Festival, this was probably the one with the most unique visuals. The film start with a fun animated back story, allowing the audience to get to know this somewhat futuristic world they are about to witness. From there the film focuses on a lot of really fascinating uses of color and light. Most of the color pallet is desolate beiges, greys, and other muted colors. Only the frat brothers wear bright colors; red for Andrew and his frat brothers, blue for Augustus and his frat brothers. When Leroy is traveling back and forth, trying to find a way to get his beloved bike back, the “travel” is shown by backlighting Leroy on a sound stage so all you see is his silhouette and whatever color is being projected in the lights. These scenes are where audiences will really get a sense of the video game and comic book style of the film. The film is really stunning to watch and  feels somewhat reminiscent of films like Turbo Kid and Scott Pilgrim vs. The World, but with its own unique flare.

Rock Steady Row is a film that defies definition, as well as expectations. Its a genre bending tale that will surely become a cult classic, especially with the unique imagery and storytelling style. The fact that there are so many different genres thrown into this melting pot can be a bit overwhelming, especially since there are so many different styles going on throughout the film. This means the film won’t be for everyone, but it is hard to deny how much fun this film is. It is sure to win the hearts of many cinephiles because of its unique content and style.

OVERALL RATING: 7.5/10

Cynthia

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Robin and Michael are the perfect couple. The only problem is, they can’t seem to get pregnant. The couple resorts to fertility injections mailed in from over seas. After months of trying they finally get pregnant, but along with the baby there seems to be a large cyst. The baby is born healthy, and the doctor removes the cyst. Everything seems fine, but the cyst isn’t just a cyst, and it will do whatever it takes to get back to mommy.

This is a very unexpected film. This is the first film written by Robert Rhine (Road Lawyers and Other Briefs) in almost twenty years. His recent focus has been on his magazine, Girls and Corpses, and this film is a great way for him to make his return. His plot is equal parts ridiculous, hysterical, and gory. Rhine’s script is combined with the directing powers of Devon Downs (Anarchy Parlor) and Kenny Gage (Anarchy Parlor). Fertility issues are something that many women go through, so creating a fun horror film around it not only makes the film relatable, but it also makes it more fun. It is almost as if some of the pressure of trying to get pregnant is taken away by being able to laugh about it in this film. There is an extra layer of hilarity when it comes to seeing such a perfect couple unravel after they get the baby they have always wanted, and seeing how a mother will care for her child no matter what. The film is definitely filled with campiness and dark humor that won’t be for everyone, but horror fans that enjoy a healthy dose of comedy with their gore will likely love this flick.

Cynthia has a cast filled with horror royalty doing what they do best, as well as giving us a few surprises. The leading lady of this film is Scout Taylor-Compton (Halloween, Halloween II) as Robin. There isn’t anything Robin wouldn’t do to have the family she’s always wanted. Taylor-Compton perfectly shows the change in Robin when her family unit doesn’t turn out quite like she planned. Another standout performance of this star-studded film is Sig Haig (The Devil’s Rejects, Razor) as Detective Edwards. This was a very different role for Haig, since fans are used to seeing him as the bad guy, yet he plays a detective very well. Despite his good-guy performance being different than what fans are used to, he still manages to inject a little bit of the classic Haig we know and love. Other noteworthy performances come from Bill Moseley (The Devil’s Rejects), Robert LaSardo (Anarchy Parlor), Kyle Jones (The Boonies), and Rebecca Marshall (Raze). Each and every one of these actors is guaranteed to make you laugh.

The best part of this film is Cynthia herself. The creature design is absolutely brilliant because the filmmakers managed to create something that is both disgusting and cute at the same time. They make you love Cynthia, despite her appearance and the horrific things she does. This design feels slightly reminiscent of the evil baby from Dead Alive, except it is somehow more grotesque and lovable. She was created entirely with practical effects and puppeteers, which makes her all the more endearing. The filmmakers wisely were slow to reveal Cynthia. It is just the right amount of delayed gratification for the audience, because when the full reveal finally happens we are already emotionally invested in this character. The audience becomes attached to her sweet little baby sounds and farts, bringing out our paternal instincts, before seeing how horrific looking she truly is. After seeing this film I can only imagine fans will want their own Cynthia to cuddle with at night.

Cynthia is a campy delight with the most hideously adorably creature ever made. It is really a perfect storm of different horror elements. The film has a fantastic cast, superb creature design, and it is hilarious. The only downside to the film is some of the medical scenes and terminology are off, but since the rest of the film involves a strange baby-creature these inaccuracies are easy to overlook. This film isn’t for everyone, and there are many who will not appreciate the camp or the gore. Still, the comedic approach to telling a story about a couple struggling with fertility will delight audiences everywhere. If this film is coming to a film festival near you, then be sure to check it out.

OVERALL RATING: 7/10

Mom and Dad

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Parents have a natural instinct that makes them willing to do anything to protect their offspring. One day, all that changes. Something is happening to all the parents. Suddenly the parents will stop at nothing to kill their own children. Carly, a teenage girl, must fight to protect her little brother from their own mom and dad, who want nothing more than to murder them.

The premise of this film is very simple. One day, instead of wanting to protect their children, all the parents suddenly want to brutally murder their children. That’s pretty much it. The film never even explains why this sudden change occurs. While not knowing the ‘why’ behind all the carnage is somewhat troublesome, it allows you to focus on the relationships within the main family unit and what it means to be a parent. This aspect is the most interesting part of the film, although some may see it as mean-spirited.

Every parent thinks negative thoughts about their kids, especially when the kids are in their teenage years. Mothers think about how having children ruined their bodies. Fathers think about how they lost their freedom by getting married and having kids. Granted, this isn’t how all parents think, but I’d be willing to bet that a lot of parents occasionally think thoughts along the same lines. While in the real world these are just thoughts, and they don’t take away from how much a parent loves their child, that isn’t the case in this film. A lot of these negative thoughts are the driving force behind the parents killing their kids. Some viewers will likely think this makes the film cruel. I think it adds to the dark, and sometimes overly honest, humor threaded throughout the film.

Another aspect of the film that might make people dislike it is the violence towards children. While for the most part the film focuses on the teenage daughter, the filmmakers do show violence towards younger kids and even infants. Again, this will be off-putting to some viewers. There aren’t many filmmakers willing to show that kind of violence towards kids, but in real life children are not immune to violence. It makes sense that even the youngest children wouldn’t be immune to it in this film, especially since every parent is affected by whatever mysterious force makes them want to kill their children.

While the film is primarily told through the eyes of the teenage daughter, the adults have the standout performances. The role of the father, Brent, seems like it was written for Nicolas Cage (Knowing, Face/Off). Cage is known for his freakout moments in past films, and this film is filled to the brim with classic Cage craziness. Anyone who is a fan of Cage’s over-the-top acting style will want to see him in this. Selma Blair (Cruel Intentions, Hellboy) plays the mother in this psychotic duo, Kendall. Blair typically plays the more shy, awkward characters, but not in this performance. In this film, audiences get to see her go through an interesting transformation. Initially she is the quintessential perfect mom doing anything and everything for her children. Then, as all the other parents become murderous, her change to wanting nothing more than to kill her own kids is even more pronounced. Together they make an insane and often hilarious couple, fitting into various parenting stereotypes.

Mom and Dad is a hyper-violent and darkly funny film that says all the things about parenting that parents aren’t supposed to say. This film takes some risks in how it portrays violence (with children on the receiving end of this violence). As a result, there will be some who undoubtedly will hate this film. In my opinion, the film is an entertaining flick chalked full of mindless violence. Throw in the classic Nic Cage craziness and Selma Blair’s evil charms, and it is easier to overlook the somewhat skimpy plot. This film may be forgotten by the end of the year, but I have a feeling it will develop quite the cult following over the years.

OVERALL RATING: 6.5/10

Heartless (Short)

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Shelby, a young business associate, is unappreciated by her superiors. When her boss doesn’t show up to work Shelby is forced to do a big presentation. As she attempts to complete the presentation her mind becomes unhinged. A dark secret is knocking away at her sanity like the beating of a heart.

Heartless is a short film inspired by Edgar Allen Poe’s “The Tell-Tale Heart.” Writer/director Kevin Sluder took Poe’s concept and updated it for the modern age. It focuses on a young woman trying to make it in the business world, only to have opposition from both her female boss and the other “boys club” type businessmen. This refreshing update makes Poe’s story more accessible for viewers. Most people can relate to trying to make it in the business world. Even more poignant is watching a woman in the workplace facing discrimination and cruel jokes from her male superiors. Sluder does an excellent job of making viewers empathize with Shelby, even as we learn more about her rather disturbing secret.

The storytelling of the short is very well done. The film begins with Shelby as she is about to enter the conference room where she must do her presentation for the male executives. As the short progresses, little things take Shelby back to the night before. The audiences gets more and more bits of information about the events leading up to the presentation. Then, of course, there is the beating of a heart. That beating leads to the unravelling of Shelby’s mind while also making her finally stand up for herself. This format only adds to the empathy audiences will feel for Shelby as the story unfolds. Yet she isn’t completely innocent.

The performances in this short film are entertaining to watch. Stacy Snyder (Pretty Dudes) is an excellent leading lady as Shelby. What I enjoy most about her performance is how easily she transitions from being a relatable, stressed out businesswoman to being completely unhinged. Snyder at times reminds me of the character Patrick Bateman in American Psycho. The supporting cast is also quite enjoyable to watch. Shelby’s boss, Clare, is played in a delightfully evil way by Joanna Sotomura (Contracted: Phase II). Matt Mercer (Contracted: Phase II), Blaine Vedors (Mainline), and Ron Morehouse (Hill Yes) make up the business executives. Their performances are great because they are the kind of men you can’t help but hate. Together the cast helps to create a darkly humorous short film.

Kevin Sluder’s Heartless is a dark and funny horror short highlighting what it is like for a woman in a male-dominated business world. Sluder’s inspiration from “The Tell-Tale Heart” is apparent, and the update to a modern work setting gives the short an American Psycho vibe as well. The entire cast does a great job of blurring the lines of what makes a person good or bad, especially Stacy Snyder as Shelby. The story is relatable, as most people have either been overlooked in their career or experienced sexism in the workplace. Heartless is a relevant short film with classic inspiration that many viewers will enjoy.

OVERALL RATING: 4/5 (short film scale)

Dave Made a Maze

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Dave never finishes anything. He picks up hobby after hobby trying to create something, but he never finishes. One day he decides to build a cardboard labyrinth in his living room while his girlfriend is out of town. As he’s building, he accidentally traps himself inside. When his girlfriend gets home she gathers friends to go in and find Dave. What they don’t realize is that the labyrinth is much bigger on the inside, and the creatures and traps Dave built have taken on a life of their own.

Dave Made a Maze is the single most original film I have seen in years. Most people growing up built some kind of fort or maze out of whatever is in the house as a child. Most people also pretend that what is inside is real. The filmmakers create a cardboard world that is beautiful and nostalgic all at the same time. They quite literally bring to life a childhood that many people experienced. The maze Dave builds doesn’t look like much from the outside. It’s just a bunch of cardboard boxes taped together in the middle of a living room. Yet the maze has a TARDIS-like quality (Doctor Who reference for those who don’t know) in that it becomes a full-size labyrinth once inside. To add to the sense of whimsy in this film even the booby traps and creatures that are made from paper and cardboard come to life including giant heads, origami cranes, and the legendary Minotaur.

In many ways the maze itself represents Dave’s lack of focus. It is just another unfinished project and the many traps within are the things that distract him from completing anything. There is even one scene where Dave and his girlfriend get stuck in what looks like their apartment in this odd continuous daily loop of monotony. While this scene is up for interpretation, I see this as yet another trap in Dave’s maze. This trap locks Dave back into the life he is currently living and never achieving greatness like he so desperately desires. This is why, even when his friends enter the maze and they are all being chased by the Minotaur, Dave insists that the only way to escape the maze is by completing it. Yet again, this is a representation of Dave being forced to break out of the cycle he has created for himself. This metaphor is something that many viewers can relate to and will empathize with.

The world created in this film manages to be both whimsical and somewhat terrifying all at once. The set design is breathtaking, each part of the maze being made almost entirely out of cardboard. What’s even more impressive is that each set was built and disassembled in one day and filming time only took 22 days. The amount of work and artistry the filmmakers put into these sets is truly amazing. Even the various traps are made out of cardboard and when someone meets their end in a trap instead of blood, red streamers pour out of their body. It makes the death scenes absolutely hilarious and allows the filmmakers to have a certain level of gore without any actual blood or guts. The creature design is also primarily cardboard and paper, which is beautiful when the creatures come to life. Unfortunately this is where I find one negative about the film. Dave made everything out of cardboard, and most of the creatures are cardboard, yet the Minotaur doesn’t quite follow that rule. His head is a gorgeous cardboard design, yet the head sits atop of big, buff, shirtless human body. If the Minotaur had been made fully in cardboard it would have been more effective and stayed within the continuity of the film.

This fantastical world would not be as compelling without the characters who venture through it. Nick Thune (Urge, Dreamland) plays the builder, Dave. His character has a very interesting story arc and Thune does an excellent job of portraying Dave as he goes on this unique adventure. Thune makes the audience initially think Dave is just kind of a loser, but as the story progresses he manages to change how Dave is perceived. Much of the supporting cast is excellent as well. Meera Rohit Kumbhani (The Engagement Clause, Weird Loners) is delightful as Dave’s girlfriend, Annie. She stands out because she is tolerant of her boyfriend and tries to support him in his endeavors, even when his actions seem a bit on the crazy side.  Adam Busch (Buffy the Vampire Slayer, Colony) is also great as Dave’s best friend, Gordon. Much like Annie, Gordon tries to be supportive of Dave, but he is also great at making fun of Dave’s shortcomings in a friendly way. While watching the film you really get the feeling that these people are relatable friends reacting in honest ways, and that is all due to the acting.

Dave Made a Maze is a bizarrely perfect blend of horror and whimsy. It is almost as if we enter an alternate universe where Jim Henson makes horror films. The gorgeous sets and fantastical creatures create a beautiful new world. The fact that the filmmakers were able to achieve this in 22 days of filming is still baffling to me. My biggest complaint is simply the Minotaur. While the head is a gorgeous cardboard creation, it doesn’t make sense to me that it would have a normal human body. This film is truly one of the most stunning and unique films made in years and it breaks the barriers of the horror genre, providing something for everyone to enjoy.

OVERALL RATING: 8.5/10

The Night Watchmen

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A group of night watchmen and their new recruit keep watch over the offices of a newspaper. One night, when everyone is staying late to do inventory, a coffin is accidentally delivered to the building. Little do the night watchmen know that the late great Blimpo the clown is in that coffin and he met an untimely death in Romania. Blimpo is now a vampire and soon the night watchmen find themselves fighting for their lives as people in the office are turned into bloodthirsty monsters.

Of all the films at the Phoenix Film Festival and International Horror and Sci-fi Film Festival, I can say without a doubt that The Night Watchmen is the most fun horror film they programmed. This film really has everything one could want from a gory horror-comedy; lots of laughs, awesome practical effects, hilarious actors, and a fun story. The filmmakers managed to combine different things that scare people in order to create a spooky, hilarious hybrid. Clowns and vampires can be terrifying on their own. When you join them into one “clownpire,” then you get absolute insanity. The filmmakers also make the vampires in the film almost more zombie-like until they become a bit older and have more blood. This is smart because it allows them to create more carnage and excitement because the young vampires are essentially feral, wild animals.

Obviously the entire concept of this film is hilarious, but there are smaller details that elevate it to a higher level of humor. The three night watchmen and their new hire make up quite the team. The leader of their team is the typical buff ex-military guard. He is more experienced than the others so he naturally takes the lead. This character is hilarious because he fits into a certain stereotype, until the craziness begins and then you see that he isn’t quite the macho man he appears to be. The leader’s best friend and fellow night watchman is described in the film as “the worst black guy ever.” He commonly says common phrases incorrectly and enjoys things a stereotypical black man would not enjoy. This is a trait that can be seen in most of the main characters. The filmmakers do a great job of introducing caricatures and stereotypes of different people, but then show that they actually do not fit into that mold at all. It adds a more subtle layer of humor amidst all the fart and sex jokes.

The interesting and complex characters would be nothing without the actors who play them. The Night Watchmen is filled with laugh out loud performances from the lead characters all the way down to the smallest roles. All of the watchmen deliver performances wrought with humor and even a certain level of complexity not typically seen in this kind of horror-comedy. Ken Arnold (Men in Black 3, Lovely Molly) plays tough-guy leader, Ken. Arnold adds many layers to his character’s personality making him much more engaging and lovable. Kevin Jiggetts (Concussion, Won’t Back Down) plays the equally lovable Jiggetts, Ken’s best friend and the aforementioned “worst black guy ever.” Jiggetts does an amazing job of acknowledging the stereotypes people expect his character to fall into and then he completely shatters that stereotype. Max Gray Wilbur (Thrill Kill) is yet another example of breaking expectations in his portrayal of the rookie who is fondly known as “Rajeeve.”  One would expect him to be the hero of the story since he is the young fresh face, but the audience quickly learns that is not the case. Then there is Kara Luiz (Jerks with Cameras, American Poltergeist 3) as the strong female lead of Karen. I love the character of Karen and Luiz’s portrayal of her because she is not a damsel in distress. In the workplace she ranks higher than the male leads and she takes charge and refuses to be the helpless victim. Other great performances come from Dan DeLuca (Crazy Eights), Tiffany Shepis (Tales of Halloween), James Remar (Unnatural), and of course Gary Peebles as the great Blimpo.

This is a very gory, bloody film. It would have failed miserably without those who create the amazing practical effects. Every wound and bit of gore is very well done. It is definitely over the top at times when looking at the amount of blood and guts, but it works in this kind of film. The creature design for the vampires is one of the best aspects of the practical effects. I appreciate that, instead of the usual two elongated fangs and alluring demeanor, the filmmakers broke the vampire mold (much like with the main characters) by having a mouth full of sharp teeth and rabid behavior. The vampires are feral, wild beasts instead of the usual calm and composed sex symbols. It makes them more frightening and dangerous, especially as they slowly begin to gain more intelligence with each drop of blood they drink. I also love that they make Blimpo stand out as the leader by making him the strongest, most intelligent, and making him appear larger than everyone else. Blimpo is not a clown you would want to meet in a dark alley.

The Night Watchmen is an insanely fun and bloody ride that is sure to tickle the funny bone of horror fans everywhere. In this film you get lots of gore, excitement, and laughs. While the fart jokes may go on a little too long, the filmmakers make up for it by giving the audience surprisingly complex characters. Those complex characters are portrayed by an all-around fantastic cast that has electric chemistry between them. I not only want to see more of these characters, but I also can’t wait to see what the filmmakers come up with next.

OVERALL RATING: 8.5/10