A man goes to a bar with a friend. The friend leaves, and the man is left alone. He sits at the bar avoiding calls and texts from his significant other. This triggers strange and violent hallucinations. When a woman at the bar bumps into the man, and they hit it off, the hallucinations only seem to get worse.

At first glance, The Rage appears to be a rather disturbing short film showing violence towards women. Upon closer inspection, the short is more than that. The violence takes place between the main character, Oscar, and his significant other, Kate. Both characters exhibit violence towards each other, so it isn’t one-sided, and all of the violence takes place in Oscar’s head. Initially the film gives the impression that Oscar is a budding psychopath or serial killer, imagining the things he wanted to do to the woman who hurt him. As the plot continues it becomes more clear that the hallucinations are not things Oscar wants to happen. Instead they are a visual representation of his emotions following an unfortunate discovery. While this is a very interesting way to convey the inner thoughts and feelings of Oscar, I almost wish they had been expanded upon a bit. Would these images in Oscar’s head lead to actual physical violence? Does his one night stand, Sylvi, have similar thoughts in her head when she is stood up? Going just a bit deeper would have made the plot that much more compelling.

Director Alrik Bursell made some interesting choices in his storytelling for this film. The most obvious is the use of hallucinations to convey intense emotions. A less obvious one is his choice to have almost no dialogue in the film. Even the bit of dialogue that is in the short is more in the background. This forces the viewer to focus on the visuals of the film, both with the hallucinations and the body language of the actors. It gives the short a more visceral, even primal feel, because the words are not as important as the physical expressions taking place.

The leads in the film do a surprisingly good job considering they don’t have much dialogue to lean on. L. Jeffrey Moore (Toxin) plays the jilted Oscar, while Sophia LaPaglia (Shout it Out!) plays the equally lonely Sylvi. Both actors excel at using their body language to tell the story, from how they feel when hurt by their significant others to how they feel when they first meet. This is vital considering the only speaking either character does is when they first bump into each other at the bar. Without the ability to speak through non-verbal means, the plot would not have flowed quite as well.

The Rage gives a look into the mind of an emotionally tortured man. The performances are strong and focus on the body language between characters. The short film has an interesting premise which relies heavily on visual storytelling more than it does dialogue. While that is one of the most successful aspect of the short, I also can’t help but wish the hallucinations and their implications had been expanded upon. The short is still an entertaining and interesting 6 minutes that will give viewers a unique view of what goes on inside a person’s head.

OVERALL RATING: 3/5