The Monster

A mother and her young daughter have a tumultuous relationship. The mother is a neglectful alcoholic, and the daughter essentially has to take care of her mother. They come to the decision that the daughter should go stay with her dad for a while. On the drive there they get into a car accident. They are stranded on a lonely road in the middle of the woods, in the dark and rain. It soon becomes clear that there is something hunting them from the woods. The mother and daughter will have to rely on each other in order to survive the monster in the darkness.

Writer/director Bryan Bertino (The Strangers) knows how to create a character-driven horror film. Yes, there is a terrifying monster trying to kill the characters in the story, but the real focus is the relationship between the mother and daughter. The mother, Kathy, is a raging alcoholic who can’t seem to get it together. This leaves the very young daughter, Lizzy, to not only care for herself, but also care for her train wreck of a mother. There relationship is very volatile and typically consists of screaming matches, and sometimes even violence. We learn much about how they ended up on the road, hating each other, through a series of flashbacks from both the mother’s and daughter’s point of view. When the two are thrown into survival mode as they fight for their lives against a dangerous monster,  it forces them to not only face the danger at hand, but their relationship as well.

While I am technically a film critic, sometimes I get annoyed with film critics because they tend to read too much into films. I saw The Monster as part of the International Horror and Scifi Film Festival’s Horror Showcase. After the film there was a discussion about what people thought and many of the viewers were also film critics. While I agree with many of the people there that believe the monster was a physical embodiment (or a metaphor) for the alcoholism and addiction that is tearing the mother and daughter apart the other film critics lost me when they said things like the monster didn’t exist at all or other out-there theories. Yes, the monster was a physical representation of what the family was going through, but it was also simply a monster. The two things are not mutually exclusive in horror films.

The monster itself was very well done. The filmmakers chose to go the route of practical effects, which was necessary in a film like this that is so grounded in emotions. The creature design was also very well done. The face was frightening and vicious. There were a few flaws. It was very clear in many scenes where you see the full body of the monster that you can clearly tell it is a man in a monster suite. Despite that, I still appreciate that they chose this over CGI. The only other issues I had with the monster had more to do with inconsistencies in the story. It appears that when light is shined in the monster’s face, it runs off. Whether it is scared of the light or the light hurts it, we never know. My issue is that, while it is afraid of the light from a flashlight and flame, it doesn’t seem to be bothered much by street lights or headlights. Possible it is only effected by light shined directly in it’s eyes, but if that was the case it should have been made more clear.

When a story takes places primarily in the dark, it is common for a lot to be lost in the darkness. This is not the case for The Monster. The cinematography is stunning. They did an amazing job of making sure things can be seen clearly throughout the film no matter how dark it was. There was also a lot of play with light and darkness that brought a lot of beauty to the scenes. One scene specifically stands out in my mind after watching the film. Kathy gets out of the car to investigate something and she is standing in the light of the headlights, the forest illuminated behind her. It seems like she should be safe in the light, but the deeper into the forest you look the darker it gets. It is clear that there is danger nearby. The shot was so simple yet something about it is absolutely gorgeous.

The two leads in this film gave absolutely marvelous performances. Zoe Kazan (Ruby Sparks, What If) blew me away as the drunken mother, Kathy. Kazan portrayed Kathy’s internal struggle of wanting to be a good mother while also having no control over her addiction. This was a role I wouldn’t have thought Kazan to be in, but now I can’t imagine it with anyone else. Ella Ballentine (The Captive, Standoff) was quite a surprise as the daughter, Lizzy. I had never seen her in a film before, and she had such a strong presence on the screen. Ballentine was so powerful because she is portrayed in most of the film as the “adult” because she has to take care of her alcoholic mother. She then goes from being strong and independent to a scared little girl when she realizes monsters are real. The two actresses together made the perfect duo.

What makes The Monster such a masterful film is that it throws people who don’t want to be around each other into a terrifying situation where they have to rely on each other to survive. It is something that Bertino also did in The Strangers. While there are horrifying events happening around them, the true focus of the film is the relationship between the mother and daughter. Because of this, I am able to look past the couple flaws involving the monster and see the masterpiece this film truly is. Horror and non-horror fans alike will appreciate this film and likely relate to the relationships that we as the audience witness.

OVERALL RATING: 9/10

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