Nestled in the country is an all girls Catholic boarding school. Two girls end up stranded at their school during break when they are the only two whose parents fail to pick them up. The girls begin to experience strange happenings in this cold, secluded school. Elsewhere, a young woman is doing whatever she can to get to that same boarding school. As the web that connects these three girls becomes unraveled, it soon becomes clear there is something sinister at work.
The Blackcoat’s Daughter (formerly known as February) was a huge accomplishment for first time directer Osgood Perkins. This is the kind of horror film that has such an atmospheric presence. You often know bad things are coming – sometimes you even know what those bad things are – yet when the moment finally happens, it is no less shocking or terrifying. Perkins, who also wrote the film, does an excellent job of revealing different plot points in a way that isn’t necessarily chronological, but in an order that helps you to understand more of the story when it is important. There are elements of a traditional devil/possession horror film present, but much of the way it is presented feels fresh. It is clear from the beginning that this film focuses more on the characters involved and creating a feeling of impending doom, rather than traditional scares. In this regard, The Blackcoat’s Daughter is a masterpiece.
The three female leads in this film were incredibly strong. Keirnan Shipka (Mad Men) was absolutely haunting as Kat, the youngest of the two girls at the boarding school. As you can see from the trailer, Shipka’s portrayal of Kat moves from a lonely innocence to deeply disturbed during the course of the film. Lucy Boynton (Copperhead) was also amazing as the other girl stranded at the school, Rose. What I loved about Boynton as Rose was that she was a bit of a bad girl, but she was incredibly relatable at the same time. You felt for Rose and cared about her well being. I will be completely honest, generally I am not a huge fan of Emma Roberts (Scream Queens, We’re the Millers). Despite this, I still thought she did a great job as the mysterious Joan. Joan is clearly broken in some way and has been through a lot in her life. Roberts conveys this aspect of Joan quite well. All three actresses stood out and drew me into their individual stories.
This is the kind of film where the evil is almost entirely working behind the scenes. There are only a couple small glimpses where you see the entity that is pulling the strings. I loved the look that the filmmakers went for. The evil in The Blackcoat’s Daughter has a look that is generally familiar in the world of devil worship and possession, but they made some small tweaks to give it a bit more unique look. I also thought it was smart for the evil entity to never really be in full view; it’s shown as more of just a shadow or silhouette. In a film like this where ambience reigns over frightening imagery, keeping the evil in the background was a wise decision.
When I didn’t get a chance to see this film at Cinequest, I was devastated. Luckily it was picked up by the Phoenix Film Festival. The way the stories of the two high school girls and the wandering young woman unravel was done in such a stunning way that it leaves your heart on the floor. The Blackcoat’s Daughter is a haunting tale that breaths new life into the idea of possession and the loss of innocence. By the time the credits rolled I felt stunned and awestruck. What was great about the feelings the ending invoked was that many people I spoke with got the same feeling, even though I interpreted the ending a different way than others did. No matter what you think the final scene conveys, it will still effect you in ways you didn’t expect. While I can see horror fans that prefer more scares and gore not enjoying this film as much, people who love films for the way they make you feel will not be disappointed. If this film comes to a theater near you, do not pass it up.
OVERALL RATING: 9.5/10