It’s the 1970’s and a group of kids are arriving at a summer camp on its last legs. It’s a typical camp complete with misogyny, cabins, camp counselors on drugs, and a seedy new camp director. It seems like just another summer at camp, until the legend of the lake siren proves to be a little too real.
Camp Calypso is the sophomore short film by directing duo Hannah May Cumming (Fanatico), who also wrote the short, and Karlee Boon (Fanatico). This short begins much like the classic slashers of the 1980’s. We meet a small group of campers and the counselors who will watch over them for a fun-filled summer. On the first night while gathered around the campfire, the campers learn about an the legend of a siren who lives in the lake and a young woman who drowned at the camp in the 1960’s. Cumming and Boon do a fantastic job of creating a complete story in less than 20 minutes. They gradually reveal more details for the audience, slowly unravelling the mysteries of the past and connecting them to what is happening at the camp with the latest batch of counselors and campers. It veers from a typical summer camp horror flick to something much more intricate and interesting.
While the only other short film I’ve seen by Cumming and Boon is Fanatico, from what I have seen it is clear this duo has something to say. A common theme in their work, which is clearly evident in Camp Calypso, is feminism, the battle against misogyny, and challenging traditional female roles. The only characters in this short that could be considered stereotypes are the men. They are chauvinistic womanizers who care more about getting laid than doing their job, even when that means being forceful with women. The female characters, on the other hand, are more dynamic. Cumming and Boon also flipped the classic idea of a siren. Most people know the legend of how sirens dwell in bodies of water and use their song to lure men to their deaths. While that is true in Camp Calypso, there is more to the siren’s origin than the legend suggests.
The entire cast of Camp Calypso delivers compelling performances from the camp counselors, to the campers, to the camp director. While everyone is great, I’m going to focus on the female performances. Ruby Cumming stars as Margot, the shy young camper. Margot is the more reserved and observant type, so she is the first to really notice something is wrong at Camp Calypso, and Ruby Cumming adds a sincerity to the role. Misha Kemp plays camp counselor Heather. She is kind and in charge, but also willing to sneak off for a little weed. Kemp excels in the role with how she is able to be gentle and nurturing, yet she takes no shit when a male counselor tries to feel her up. Then there is the other female camp counselor, Cherry, played by Savannah Rae Jones (The Halo). At first glance, Cherry looks like the stereotypical slutty camp counselor. Yet Jones shows there is much more to Cherry than meets the eye. This is evident from her first interaction with the male counselors when she blows them off, to the way she remains cool under pressure. While the women are the clear stars, I will give honorable mention to the men including Derek Sweet, Dawson Redmond, Erik Norseth, and Nathaniel Owens.
A lot of artistic work went into Camp Calypso to make it feel like it could come from the late 1970’s while also making it a fun creature feature. For a low-budget short film, they managed to get a really great location for the camp that helps transport the audience. The wardrobe also helps quite a bit in this area, each outfit looking like it could easily have come from the late 70’s or early 80’s. Camp Calypso also has a vibrant color palette that catches the eye. What is especially surprising is the delightful creature effects for the siren. The practical prosthetics are subtle, but very well done and effective. Plus there is some delightful gore thrown in for good measure. Plus the short boasts a fantastic score by Rudy Klobas, Carlo Mery ft. Nick Mcclurg that perfectly embodies the time period. The only visual aspect I didn’t like is more of a film pet peeve of mine: the use of blue filter to make turn day into night. I realize it’s the simplest and most cost effective method for filmmakers, but it never looks right.
Camp Calypso is a delightful short monster movie that takes a bite out of misogyny. Cumming and Boon make a unique short film that creates it’s own complete story, yet it has a mythos that could easily be added to in order to make a feature-length film. The short has beautiful visuals and practical effects, although the use of the blue filter during the climax of the film cheapens the look a bit. With strong performances and an even stronger message, it’s impossible not to enjoy this short film. Between Camp Calypso and Fanatico, I can’t wait to see what Cumming and Boon do next.
OVERALL RATING: 4/5
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