Dry Blood

dry blood

Brian is an addict. After a particularly rough night, he decides it’s time to get clean. He travels to his remote mountain cabin in the hopes of detoxing himself in seclusion. Brian’s stay at the cabin forces him to face withdrawals, hallucinations, possible ghosts, and a bizarrely sinister cop. He has to discover what is real and what is fantasy, or else he might just lose his sanity.

Dry Blood is written by Clint Carney and directed by Kelton Jones. While the two have plenty of credits to their name, this is the first feature film in their respective roles as writer and director. The plot woven throughout the film is quite intricate. Every turn seems to add a new layer of mystery and intrigue, forcing the audience to follow different clues. The plot becomes more and more complicated, leading up to the shocking final act. For a first feature film, Jones and Carney deliver a compelling story that takes some brain power to figure out. There is a ton of potential here, but it there is a high likelihood it will leave audiences unclear about certain aspects. There are times when it is obvious that Brian is hallucinating, and other times where he could be seeing ghosts. By the end of the film there is one big reveal that allows the audience to have a sort of “aha” moment. It allows the audience to make certain deductions about what they have witnessed, but there are still too many unanswered questions because of how many layers there are to the mystery.

Brian’s reasoning for going to the cabin in the first place is clear enough, yet things get quite complicated for him almost immediately. It starts with an odd cop who either has sinister motives or is really obsessive about being Brian’s friend. This leads to some conversations that are simultaneously creepy and humorous. There is one schtick that happens in practically every conversation between these two that manages to make me laugh while also being somewhat uncomfortable to watch. Aside from these interactions, the film has a very dark tone in both content and style. The dramatic themes of addiction, mental illness, and death run rampant. It creates a very haunting tale as Brian’s hallucinations (or ghosts) become more prevalent, making his road to recovering more and more difficult.

Not only did Jones direct and Carney write Dry Blood, but they also starred in the film. Carney takes the leading role as Brian, this also being his first acting role in a feature film. For the most part Carney excels in his performance. There are a few more dramatic moments when Brian is particularly terrified and Carney’s portrayal turns a bit towards caricature. Jones also makes his feature film acting debut in this film as the cop. The cop is this ominous presence always looming over Brian, and Jones does a great job playing him. Between his odd behavior and the sometimes comical conversations, the cop is a character audiences will remember. Yet another feature film acting debut comes in the form of Jaymie Valentine as Brian’s friend, Anna. Anna comes to the cabin to try to help Brian get over his addiction. Unfortunately, I found Anna’s character and Valentine’s performance distracting. Valentine comes across as monotone and doesn’t really show any strong emotions, even when her character is in the face of danger. For some reason Anna’s character also wore a disastrous wig. While this is not the actor’s fault and it doesn’t have anything to do with her performance, the wig was so dreadful it took my attention away from the film itself.

Aside from the wig, the various visuals are actually the strongest aspect of the film. There are some fantastic practical effects that really bring terror to the audience. Most of these are used to create what could be hallucinations or they could be ghosts. These entities are created primarily with stunning practical effects, but they are enhanced with some exceptionally well done CGI work. The result is brutal, haunting, and stunning imagery. After finishing the film these effects are what is likely to stand out in your mind.

Jones and Carney create a complex, chilling tale with Dry Blood that shows the filmmakers’ potential, but it falls just short of being truly successful. The film has wonderful special effects, especially for a low-budget indie film, and weaves an interesting plot that will keep you guessing. Unfortunately, the film ends with too many unanswered questions, and the performances deliver a mixture of results from successful to monotone. If nothing else, I would recommend this film for the effects. Either way, the film displays Jones and Carney have the building blocks to create something special as filmmakers and I look forward to seeing what they do in the future.

OVERALL RATING: 5.5/10

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