The Shape of Water

Favorite Things: Best of 2017

Disclaimer: 2017 was a busy, stressful, and emotional year. Between working full time, going to school full time, trying to maintain this website, and dealing with personal issues, I have neglected my site more than I care to admit. As a result there are several films I saw in 2017 that I unfortunately never had time to write reviews for. Instead of stressing out about it and trying to cram multiple reviews into the last few days of the year, I’ve decided to instead start 2018 with a clean slate. Some of the films in my top 10 list I did not write reviews for, but I will include a number rating for those films and links to the full reviews for others.

Ok, now for the fun stuff. There were many amazing great horror films, shorts, and TV shows in 2017. Here are my top picks for the year!

TOP 10 FILMS OF 2017

10. It Comes at Night

it comes at night

This film suffered from misleading advertising. Between the name and the trailer, audiences got the impression it was going to be a very different film than what they got. Looking past that, It Comes at Night is still an intense film that puts audiences in the frame of mind of the main characters. All we know is there is an end-of-the-world type virus killing everyone, but no one knows anything more about the virus or what is going on in the rest of the world. The concept, along with a stellar performance from Joel Edgerton (The Gift), makes for a suspenseful film that sticks with you. OVERALL RATING: 7.5/10

9. A Dark Song

a_dark_song2

A Dark Song is a polarizing film. The majority of the plot is a slow burn showing the meticulous ritual a mother goes through to get revenge on those who killed her son. The climax then goes in a wildly different direction leading to a fascinating image that some will love and others will hate. Personally, I thought it all worked well together, and the two leads are both fantastic, especially Catherine Walker (Critical) as Sophia. Click here for my full review.

8. IT (2017)

it

The latest adaptation may not have had the scares everyone expected, but it was exciting, well written, and had a superb cast of young actors. This film managed to make Pennywise a much more terrifying monster because they actually showed him being violent towards kids, something lacking in the first adaptation (and something many horror films don’t have the guts to do). This film makes me excited to see part two. Click here for my full review.

7. Hell House LLC

hell house

There is one thing that makes me love Hell House LLC so much; it is not only the scariest film I saw in 2017, but it is also the scariest film I can think of in recent memory. Writer/director Stephen Cognetti took the more subtle approach with his scares, and it definitely paid off. This film is a perfect example of found footage done right. Click here for my full review.

6. The Devil’s Candy

the devil's candy

Metal music and the devil go hand-in-hand in The Devil’s Candy. The film is haunting and atmospheric, utilizing music to drive the plot down a dark and twisted path. The great story is accompanied by an even greater performance by none other than Ethan Embry (Empire Records). This could be Embry’s most powerful performance yet. Click here for my full review.

5. Gerald’s Game

gerlad's game

I hadn’t read Stephen King’s book before seeing Gerald’s Game. The plot sounds like something that wouldn’t work in a feature length film, but director Mike Flanagan made a thrilling and suspenseful film with various scenes that won’t leave my mind anytime soon. The film also has one of the strongest female performances of the year from Carla Gugino (San Andreas). OVERALL RATING: 8/10

4. Tragedy Girls

tragedy-girls

Tragedy Girls was one of the most fun film experiences I had this year. It is disturbing, hilarious, and sweet all at the same time. Both Alexandra Shipp (X-Men: Apocalypse) and Brianna Hildebrand (Deadpool) deliver hilarious performances with great chemistry between the two of them. The film perfectly displayed the lives of teenage girls; these teenage girls just happen to be serial killers. OVERALL RATING: 8.5/10

3. Get Out

get out

Jordan Peele gave audiences a socially poignant thriller that is equal parts disturbing and funny. Get Out may be one of the most important horror films to come out this year because of the social climate throughout the country. As if that wasn’t enough, it’s just a genuinely great film with an interesting story and lots of little hidden meanings throughout. Click here for my full review.

2. Raw

raw-movie-review

For most of the year Raw held the number 1 spot on my list of favorite films in 2017. While it got bumped at the last minute, this film still stands out in my mind. Raw is a French film focusing on a girl going through a sexual awakening while also discovering she has cannibalistic tendencies. The film is intense, unsettling, and even beautiful. Click here for my full review.

1. The Shape of Water

the-shape-of-water-sally-hawkins

The Shape of Water is not only my favorite film of 2017, but it just might be my new favorite film of all time. It is visually stunning, well acted, and has a beautiful story that many people will be able to relate to. Sally Hawkins (Blue Jasmine) gives an Oscar-worthy performance as Elisa. Guillermo del Toro yet again proves that he is a master of his craft with this gorgeous piece of art. Click here for my full review.

Honorable mention: Dave Made a Maze, The Night Watchmen, The Babysitter, Boys in the Trees, Better Watch Out.

TOP SHORT FILMS OF 2017

TOP TV SHOWS OF 2017

  • The Exorcist
  • Stranger Things
  • Bates Motel (series ended in 2017)
  • American Horror Story: Cult
  • Grimm (series ended in 2017)
Advertisements

The Shape of Water

shape of water

In the 1960’s a mute janitor, Elisa, works nights at a government research facility. She goes through the same lonely routine day after day, only able to communicate with her two closest friends, until the facility acquires a new “asset.” This asset is a strange and beautiful aquatic creature, as mysterious as it is dangerous. When Elisa forms a bond with the creature she decides that she must do anything she can to save his life.

Guillermo del Toro (Pan’s Labyrinth, Crimson Peak) is one of the most visionary writer/directors of our time. He is known for creating haunting films that are as strikingly beautiful as they are fascinating. While his credits include a number of fantastic films, The Shape of Water may be the most breathtaking film he has ever created. The plot seems to combine elements that display del Toro’s passions: classic film, The Creature From the Black Lagoon, and people who are considered “different” who find love and acceptance in each other. The influence of The Creature From the Black Lagoon is the most apparent aspect of the film. Del Toro himself has stated that it was his inspiration for the plot. What is more subtle is how del Toro injects his love of old Hollywood cinema into the film. Not only does Elisa reside above a movie theater, but she is often shown watching old black and white films with her neighbor and friend, Giles. Yet, it is the feeling of being an outsider, and finding others who feel the same, that is the focus of the film.

Elisa is not only mute, but she is an orphan as well. She is an outsider and spends much of her time alone. Her only two friends are also outsiders for a number of reasons; Zelda, who is a black woman in a time when that made you an outcast, and Giles, who is also an outcast in his own way. Their mutual loneliness brought them together as friends, and it is also what draws Elisa to the creature. She doesn’t see him as a monster. He is simply another outsider in need of companionship. This premise is something that many people can relate to in some capacity. The friendship that grows between Elisa and the creature makes the heart swell.

The entire cast of The Shape of Water delivers outstanding performances, from the leading lady down to fleeting roles that only last a few minutes. Sally Hawkins (Blue Jasmine, Never Let Me Go) is absolutely stunning as Elisa. Expressing strong emotion is difficult without a voice, but Hawkins does it perfectly. In a particularly powerful scene Elisa is desperately trying to explain to Giles why she has to save the creature. Watching Hawkins emotionally use sign-language to express her explanation is utterly heart-wrenching. Doug Jones (Pan’s Labyrinth, Hellboy) is also fantastic as the creature. Jones and del Toro have done many projects together, and Jones is known for his work as various strange beings that involve full body and face prosthetics. Much like Hawkins, Jones has to emote without the use of a voice, but he has the further disadvantage of not having a human face either. Still, Jones finds a way to push the emotion through the costume. Not surprisingly, Michael Shannon (Boardwalk Empire, Nocturnal Animals) delivers a very disturbing performance as Richard Strickland, the man who captured the creature and brought it to the facility. A common theme of this film is that humans are often the true monsters, and Shannon gives audiences a monster they can truly despise. While they have somewhat smaller roles, it is just as important to state how great the group was who makes up the remaining “outsiders” in the film: Octavia Spencer (Hidden Figures, The Help) as Zelda, Richard Jenkins (Cabin in the Woods, Let Me In) as Giles, and Michael Stuhlbarg (Boardwalk Empire, A Serious Man) as Dr. Hoffstetler.

As with most of del Toro’s work, The Shape of Water is visually exquisite. The creature design alone is absolutely gorgeous. There is clear inspiration from the look in Creature From the Black Lagoon, but del Toro made the creature much more sleek and beautiful. The prosthetics blend so well with the CGI of the creature, creating a striking and realistic being. Along with the creature design, del Toro also made each scene stand out with distinct color palettes. Via Twitter, del Toro explained the meaning behind each color choice made in the film. He explains that Elisa’s apartment and things in her world are the cyans and blues of water, while the homes of other characters are the warm tones of gold and amber. The color red is for “cinema, life, and love,” which is apparent in the red drapes in the movie theater and how Elisa wears more and more red during the film as she gets closer to the creature. Green is used to represent the future. It is a prevalent color in the government lab, fancy new cars, and other items of the future. These deliberate choices add meaning in places it would not normally be found, as well as elegance. These choices allow del Toro to achieve a truly breathtaking aesthetic throughout the film.

The Shape of Water may be the most stunning film I have ever seen. Visually, it draws you in with gorgeous creature design and fascinating use of colors. The performances are absolutely outstanding, and the characters are fascinating. The story del Toro creates in this film is one of being an outsider, and finding others who feel the same and creating an intense, strong bond. I rarely watch a film where I wouldn’t change a thing, and I virtually never give out perfect scores for films. The Shape of Water is an exception, as I wouldn’t change a thing, and it is wholly deserving of a perfect score. The Shape of Water is a film that people will be talking about for years to come.

OVERALL RATING: 10/10