The Day Mum Became a Monster

Favorite Things: Best of 2018

TOP 10 HORROR FILMS

10. All the Creatures Were Stirring

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There are new Christmas horror films every year, and this is one of my favorite additions of the past decade. The anthology, written/directed by Rebekah and David Ian McKendry, has a little something for everyone and perfectly combines chills, laughs, and the holiday spirit. Click here for my full review.

9. Bird Box

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I had a difficult time choosing between Bird Box and A Quiet Place, but I thought this film was ever so slightly more well-put together. The film is thrilling while also pulling on the viewer’s heartstrings. What really elevates the film is the concept for the entities killing off the human race. Click here for my full review.

8. Overlord

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This film definitely surprised me. It is visually beautiful, has fantastic performances, and is as exciting as it his frightening. The filmmakers perfectly blend historical events with the horror genre in a way that catches the audience’s attention. Click here for my full review.

7. The Ritual

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The Ritual is dark, mysterious, and brings a depth to your typical lost in the woods subgenre of horror. The film uses gorgeous visuals to create a metaphor for grief and guilt. It also has some of the most beautiful creature design I’ve seen in a while. Click here for my full review.

6. Cam

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It’s not every day that sex work is portrayed in a way that is both realistic and non-negative. Cam does just that, plus it has a suspenseful horror twist that catches the viewer’s attention right up until the credits roll. Click here for my full review.

5. Suspiria (2018)

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This remake of Argento’s classic film brings audiences a new and hauntingly beautiful film. It boasts a compelling plot, outstanding performances, and some scenes of rather shocking brutality. The filmmakers definitely succeeded in honoring Argento’s film while also creating something new and unique. Click here for my full review.

4. Revenge

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Revenge is a film not talked about enough this year. The rape-revenge film, directed by Coralie Fargeat, truly brings something beautiful to the sometimes controversial subgenre of horror. It is visually stunning, has amazing performances, and has one of my favorite scores of the year. Click here for my full review.

3. Mandy

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This film was made for Nic Cage. It is insanity personified with amazing visuals, loads of carnage, and an amazing 80’s aesthetic. Cage shines in the role, and he delivers one of his most memorable performances to date. Click here for my full review.

2. Annihilation

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This scifi-horror genre bender is one of the most thought-provoking films of the year. It also has some of the best CGI effects of the past decade, creating an absolutely gorgeous film that is also terrifying in its own way. The female-driven film has it’s polarizing moments, but I loved every minute of it. Click here for my full review.

1. Hereditary

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Hereditary is the kind of horror film that is truly terrifying to me, and it is one of the scariest films I’ve seen in ages. It stuck with me long after the film ended. Toni Collette should win all the awards for her performance, and Alex Wolff held his own right along with her. This is the kind of film that you can watch again and again and still notice new details. Click here for my full review.

TOP 5 SHORT FILMS

  1. Wild
  2. What Metal Girls Are Into
  3. The Night Delivery
  4. Love Cuts Deep
  5. The Day Mum Became a Monster

TOP 5 TV SHOWS

  1. Channel Zero: The Dream Door
  2. Haunting of Hill House
  3. Chilling Adventures of Sabrina
  4. American Horror Story: Apocalypse
  5. Ash vs. Evil Dead (ended in 2018)

TOP 5 HORROR EVENTS

  1. The Last Drive-In With Joe Bob Briggs – Shudder
  2. Diners of Death with Joe Bob Briggs – Shudder
  3. A Very Joe Bob Christmas – Shudder
  4. International Horror and Sci-fi Film Festival – Phoenix, AZ
  5. Into the Dark – Hulu

TOP 5 HORROR FILM SCORES

  1. Revenge – Rob
  2. Halloween (2018) – John Carpenter, Cody Carpenter, and Daniel Davies
  3. Suspiria (2018) – Thom Yorke
  4. Mandy – Jóhann Jóhannsson
  5. Summer of 84 – Le Matos

IHSFF 2018: Horror Shorts B

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The International Horror and Sci-fi Film Festival always shows a great collection of short films. Because there are so many to discuss, I decided to write-up little blurbs about each one and organize them by how the short films were programmed in the festival. Here are my reviews and ratings for the short films in HORROR SHORTS B:

ALFRED J HEMLOCK – Written by Edward Lyons & Melissa Lyons, Directed by Edward Lyons

This darkly twisted tale follows a young woman whose date ditches her in an alley one night. In that alley she meets a strange character named Alfred J Hemlock who is anything but human. This short has strong performances and a fascinating concept. The one thing that will make this film less enjoyable is that it feels like it tries too hard to emulate the work of Tim Burton, yet it falls short. If the styling had been different, putting the focus more just on the characters, it would have been a much stronger short. OVERALL RATING: 2.5/5.

HOPE – Written by Adam Losurdo & Chris Stival, Directed by Adam Losurdo

In a world filled with zombies, one zombie wanders around looking for love. The zombies are different in this short; they don’t attack people. Instead, it’s the people who are terrible to zombies. The film is unique, funny, and has a great ending. It’s the kind of film that makes you hate people and human nature, which is something I always enjoy. Plus, the zombie makeup is pretty fun to look at as well. OVERALL RATING: 4.5/5

EN PASSANT – Written/Directed by Barron Hilton

One thing I can say definitively about this short film is that it is beautiful. It is filled with beautiful people, beautiful cinematography, and beautiful sets. It is the kind of film that blends sexy and dark very well. There is even an appearance by the late Rick Genest (aka Zombie Boy). Beyond the beauty the film lacks a bit of substance, choosing to have no dialogue and focusing more on the sex appeal rather than the sinister ending. With just a bit more explanation into the “why” of what happens, even without dialogue, the film would have been exponentially better. OVERALL RATING: 3/5

WHAT METAL GIRLS ARE INTO – Written/Directed by Laurel Vail

The film follows a group of female metal fans as they rent a place to attend a metal music festival. They quickly realize their host is up to no good. The plot is quirky, humorous, and has a very satisfying ending. The film is also relevant in the #MeToo era. Audiences will even recognize Matt Mercer (Contracted: Phase II) as the creepy rental host and writer/director Laurel Vail (Contracted: Phase II) herself also stars in the short. Of all the shorts at the festival I had the most fun watching this one, and it is honestly probably my favorite this year. OVERALL RATING: 5/5

THE DAY MUM BECAME A MONSTER – Written/Directed by Josephine Hopkins

This short film comes from France and follows a young girl who lives with her divorced mother. The estranged father is supposed to come for the girl’s birthday, which delights the girl but has the opposite effect on the mother. This short has a similar feel to The Babadook. As the mother becomes more depressed over her situation she goes through a physical transformation that represents her internal turmoil. It’s a very compelling, gorgeous, and well acted film. It also has some fantastic practical effects portraying the mother’s transformation. This is a short you won’t want to miss. OVERALL RATING: 5/5

GRIN – Written/Directed by Tanuj Chopra, Story by Sheetal Sheth

A young woman goes on a photoshoot where the photographer crosses a line that should never be crossed. The short film follows her mental and emotional unravelling after these events with stunning visuals. The film is beautifully shot, but it lacks a bit of substance. It seems to focus to much on making something visually beautiful rather than sending the intended message that relates to the #MeToo movement. There needs to be a bit more actual plot to go along with the artistic imagery. As it is, the short is more of an art installation than a well hashed out story. OVERALL RATING: 2.5/5