Pancho Moler

3 From Hell

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The Devil’s Rejects survived the shootout with Ruggsville police. After being found guilty of heinous crimes, the Firefly family has been locked away in prison awaiting death row. When Otis Firefly is able to make a bloody escape, he comes up with a plan to free Baby. Then it’s time for this deranged family to wreak havoc on all those who cross their path.

Ever since the film was first announced, fans have been chomping at the bit to see 3 From Hell. Written and directed by Rob Zombie (House of 1000 Corpses, The Devil’s Rejects), this is the third film chronicling the murderous adventures of the Firefly clan. The film begins by giving a brief update of the family surviving the shootout from the end of the previous film and a bit about the trial that took place after. From there, we see Otis, Baby, and Captain Spaulding nearly 10 years later as they await their death sentence. Eventually the family is able to escape, with the help of a new face. We see as these psychopaths balance trying to stay hidden from the law while still following their murderous nature. The film is as violent as one would expect from a Zombie film, while also incorporating dangerously dark humor fans will love.

The Devil’s Rejects is a much loved film, and it has one of my favorite film endings of all time. With the way that film ended, there was no real need for a sequel. Audiences watched as their favorite murderers went down in a blaze of gunfire, being shot so many times they should have died. When 3 From Hell was announced I wrote an article for The Coda Films discussing different ways the family could be brought back for a third film (you can read that article here). Unfortunately, Zombie went with what I believe is the laziest option by having them simply survive. I do appreciate that there is a joke made about it in the beginning of the film, but there was a missed opportunity to either bring back the Doctor Satan character from House of 1000 Corpses or even connect this film to The Lords of Salem and have the witches bring the family back. That being said, Zombie clearly wanted the second and third films in this trilogy to be more firmly rooted in reality than the first film, which could explain this storytelling choice.

While it’s not a necessary sequel, 3 From Hell still manages to come very close to the magic of its predecessor. Fans get to see more of their favorite psychopaths, Otis and Baby Firefly, while also getting to meet another member of the family. Zombie is eerily successful at writing despicable characters who do horrific things, yet there is something about them that makes you root for them. There are also some very compelling moments of humanity mixed in with all the chaos, especially between Baby and a new character named Sebastian. I believe what holds the film back a bit from reaching the same level as The Devil’s Rejects, aside from the way the family survived, is the lack of a truly formidable opponent. In the previous film the Firefly clan was up against Sheriff Wydell, who was just as sinister and deadly as the Fireflys themselves. In this film there are a few different opponents, but none of them have quite the same presence as Wydell. Without that opposing force, the Fireflys not only don’t have an worthy adversary to go up against, but it also doesn’t give the audience as much of a reason to sympathize with them.

Between the familiar and new characters, the entire cast is pure magic. The highlight is definitely Sheri Moon Zombie (The Lord of Salem, The Devil’s Reject) as Baby Firefly. Fans are familiar with Baby’s playfully homicidal antics. This time around, years in solitary confinement have turned that playfulness into insanity. Moon Zombie gives a stunning portrayal of the character in those moments of insanity, but she also brings a deeper emotional level to Baby, especially during her interactions with Sebastian. Bill Moseley (House of 1000 Corpses, The Devil’s Rejects) also returns as the most brutal of the family, Otis Firefly. Moseley brings much of the same ferociousness to the character of Otis in this film, but the years in prison have changed Otis as well. It may not be as obvious as with Baby, but he has become a bit more cautious as he tries to keep himself and his family out of police hands. A new member of the Firefly clan is Richard Brake (31, Doom) as Winslow Foxworth Coltrane, half-brother to Baby and Otis. This is the first time we have met Winslow, but he clearly has the same extracurricular interests as the rest of the family. Brake’s chemistry with both Moon Zombie and Moseley is a delight to watch, and watching him on screen feels like he’s been part of this franchise from the beginning. Other fantastic performances come from Dee Wallace (The Howling, The Lords of Salem) as Greta the prison guard, Pancho Moler (Candy Corn, 31) as Sebastian, and Jeff Daniel Phillips (The Lords of Salem, 31) as warden Virgil Dallas Harper.

As with every Zombie film, 3 From Hell is both stunning to look at and has great music. The sets, cars, wardrobe, and filming style all transport the viewer back to the films of the 70’s and 80’s. Zombie has always had a great eye for creating that vintage aesthetic, and this film is no different. He also curates an amazing soundtrack of rock classics combined with the gorgeous film score by Zeuss, who also did the score for 31. 3 From Hell also incorporates very realistic practical effects for the various wounds the Firefly family inflicts on their victims, as well as ones inflicted upon them.

3 From Hell is an unnecessary, yet delightful third film in the saga of the savage Firefly clan. The film has it’s flaws, mostly in the way the family is brought back for this film and the lack of a worthy adversary for them to fight against. That being said, Zombie comes so dangerously close to catching the same magic of The Devil’s Rejects that most of his fans will likely be delighted with this film. It has great visuals, fantastic acting, and it’s a bloody good time. Much like every film Zombie has ever made, 3 From Hell is sure to polarize audiences. One thing is for sure, I had a smile on my face during this film from start to finish.

OVERALL RATING: 7/10

Candy Corn

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It’s almost Halloween. A group of local punks decide to honor their longtime tradition of pranking the local outcast while he’s at work at the visiting freak show. When the guys take things too far, a ritual is used to bring him back to life. Now he will take his revenge on this sleepy little town.

For me, Candy Corn has been one of my most anticipated horror films of the year.  The film was written, directed, edited, and produced by Josh Hasty (Honeyspider, In Hell Everybody Loves Popcorn: The Making of 31).  Immediately we are introduced to the group of young adults who just love hazing the local outcast, Jacob. The three young men are your typical small-town jerks who get pleasure out of other people’s misery. When they accidentally kill Jacob, it is Jacob’s employer, Dr. Death, who comes up with a plan to bring him back. This introduction to the various characters automatically makes the audience despise the locals and sympathize with Jacob and the freaks. It also plays well to those in the audience who have ever been bullied. When it comes down to it, that’s all those who tormented Jacob really are; a bunch of bullies. Watching them get torn apart is incredibly satisfying.

The film is one part supernatural and one part slasher resulting in a thrilling and bloody ride. This blend of horror subgenres helps to make Candy Corn the perfect fall film. It captures the essence of what horror fans love about this time of year. Part of that Halloween feel also comes from the filmmakers who clearly influenced Hasty in this film. The most obvious influences are John Carpenter and Rob Zombie. From the filming style to the sets to the characters and the music, Hasty shows his passion for the great filmmakers who came before him while still creating a film that is entirely his own. Even though those influences are clearly felt, Hasty still creates a really entertaining and unique mythos around the freak show and the ritual Dr. Death. Hasty wisely leaves some of the mythology vague, yet gives the audience enough to follow what’s happening, which leaves the film open to sequels that expand on that mythos.

It is clear that each artistic decision made by Hasty was chosen to make Candy Corn a new Halloween classic. From the first frames the look of the film transports the audience back to the 70’s. While it isn’t explicitly stated, it is clear from the wardrobe, the cars, and the technology used in the film. Even the somewhat gritty look of the film and the slightly washed-out colors harken back to that era of filmmaking. This time period and look also feel very reminiscent of Carpenter’s and Zombie’s films. One thing that doesn’t work quite as well is the use of freeze frames and removing audio, except for the music, in scenes where people are killed. This is similar to some of Zombie’s filming methods. It looked interesting in a couple scenes, but it is a bit overused throughout the film.

Other artistic elements help to make the film exciting, gory, and fun. The mask worn by Jacob when he returns to exact his revenge is absolutely terrifying. It almost looks as if a jack o’lantern was combined with the Michael Myers mask to create something out of a nightmare. Candy Corn also primarily sticks to gruesome practical effects for the kills. Each kill has a high level of brutality created with the practical effects and minor CGI enhancement, mostly utilized to add extra blood spatter. Then of course there is a fantastic score composed by both Hasty and Michael Booker. It is ominous, yet has a lightness to it that helps to build both suspense and excitement. Much like the plot, the score simply feels like the Halloween season.

This indie film has several faces horror fans know and love. Courtney Gains (Children of the Corn, The Funhouse Massacre) stars as the local sheriff, Sam Bramford. The sheriff tries his best to keep the peace between the local punks and the visiting freak show, but when the bodies start piling up he’s left with no choice. Acting opposite him is Pancho Moler (31, American Fright Fest) as Dr. Death, leader of the freak show. While on the surface he seems stern and mistrusting of outsiders, it is also clear that he cares deeply for his freaks and is sick of seeing them treated like second-class citizens. These two characters play off each other quite well because neither of them is purely good or bad, they simply want to protect the ones they care for. Unfortunately, they care for people on opposing sides. Other notable horror favorites are Tony Todd (Candyman, Final Destination), PJ Soles (Halloween [1978], Carrie), and Sky Elobar (The Greasy Strangler, The Rocker).

When it comes to the group of punks who attack Jacob, the performances are well done, but the casting is a bit confusing. The group is played by Cy Creamer in his feature film debut as Steve, Madison Russ (Junkie) as Carol, Caleb Thomas (The Terror of Hallow’s Eve) as Bobby, and Jimothy Beckholt (Corky and Bob Get a Job!) as Mike. They all do a great job of making the audience dislike their characters, which in turn makes it more fun to watch them die. The issue is it is difficult to figure out what age these kids are supposed to be. Most of the actors could pass for teenagers or very early 20’s, yet Beckholt appears to be older than the rest of the group. It may be a small detail, but in a genre where it’s typically either teens or college kids being slaughtered, that missing piece stood out.

Candy Corn is a love letter to Halloween and classic slashers of the 70’s and 80’s that is sure to be a holiday favorite for horror fans. Hasty’s passion for filmmaking and his influences are clearly felt. It perfectly balances the line between homage and originality resulting in a violent thrill ride with a unique mythology. The cast of horror fan favorites and newcomers all do a fantastic job. Then of course the film looks like it came straight from the 70’s, has gory practical effects, and the score is so fantastic that I can’t wait to buy it. You’ll want to watch the film now and then again for Halloween.

OVERALL RATING: 8.5/10