Mystery

Diane

diane

A wounded military veteran lives a solitary life. He goes through the same routine day in and day out, until something unexpected breaks that routine. He awakes one morning to find the body of a beautiful singer in his back yard. Before calling the police, he takes a picture of her. As the police investigation tries to prove his guilt, the image of the dead woman haunts the man, threatening to shatter his sanity.

Michael Mongillo (The Wind) takes the helm as writer and director of this haunting film. The film is a slow burn. It begins with a small amount of character development before the discovery of the body. From there the film focuses on many different factors affecting the protagonist as his obsession with the dead woman grows. Around him there is the police investigation, people in the neighborhood who think he must be guilty, and maybe even the ghost of the woman he found. All of these things unravel the man’s mind. At times he even talks to himself or has wild dreams and hallucinations, all revolving around the woman. The tension slowly builds until the truth is revealed, which almost comes as a release of that tension in a more therapeutic way than is typically found in horror films.

The opening of the film is a bit odd. It starts with a somewhat awkward, drawn out song sung by the woman who will eventually be found dead. This is followed by a sort of “day in the life” sequence showing how the main character typically spends his days. The discovery of the body comes after the screen flashes “one month later.” In all honesty, the song and the “one month later” come across as quite unnecessary. It isn’t until the climax of the film that these cinematic choices by the filmmakers fall into place. The “one month later” becomes more significant, as does the song. I still believe the song borders on uncomfortable to watch, especially with how long it goes on, and the film would have benefited by simply starting with the day in the life of the main character.

Slow-burn horror films only work if the performances can carry the intensity and intrigue throughout the plot. There isn’t a large cast, so most of that responsibility is on the shoulders of the protagonist. The star of the film is Jason Alan Smith (Before I Wake) as Steve. Smith portrays Steve as a silent, brooding wounded military veteran who primarily keeps to himself. This character portrayal works well in the film. The military background specifically works well because it makes it more believable that a man would become so invested in what happened to the woman he found. The mental effects of combat would also explain his issues with memory loss and seeing things, even though the things he sees could also be supernatural.

There are many different color schemes used throughout the film that add some visual interest. The color schemes are used to differentiate between the present, memories, dreams, and hallucinations. The present has a rather bleak color palette, favorite washed out colors and greys.  It lends to the rather bleak existence Steve lives. The past is more vibrant and has more lifelike colors. In the dream sequences the primary color used is red, making it simple to determine when Steve is dreaming. When the hallucinations, or ghostly apparitions, appear they have a staticky appearance as if watching through an ancient television. Generally speaking this technique works well for the purpose of storytelling throughout the film. I personally have never liked the grey-scale, washed-out color scheme commonly found in small budget horror films, but it clearly has a purpose in this film.

Diane gives viewers a haunting mystery that blends psychological thriller with the supernatural. The plot presents an interesting puzzle to be solved and that puzzle is solved rather nicely by the end of the film. The color palette makes sense for the plot, despite my personal dislike for the grey-scale which is most commonly used. If the colors had been a bit more true to life, and the opening scene was cut, the film would have been more appealing. Yet this film still has a compelling story with a strong performance from Smith.

OVERALL RATING: 6.5/10

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Crimson Peak

Edith Cushing (Mia Wasikowska) has seen ghosts since she was ten years old. On her first encounter with a ghost, she was warned to stay away from a place called Crimson Peak. Years later, she meets a handsome baronet from England named Thomas Sharpe (Tom Hiddleston). After a tragedy, Edith marries Thomas and moves into his decaying family mansion in England along with his sister, Lucille (Jessica Chastain). Edith soon realizes the place she was warned about as a child has now become her only home, and there are many ghosts within its walls.

Guillermo del Toro is one of my favorite directors. He has a masterful way of blending dynamic characters, haunting imagery, and completely unique looking creatures. Crimson Peak is another success. Probably the most successful aspect was how visually stimulating and stunning the entire film is. This is evidenced when Edith moves to England with the Sharpes. The mansion they live in is quite literally falling apart. It is unnerving and beautiful all at the same time. The house sits on deposits of red clay that seeps through the floors and the walls of the house’s lower levels. It makes it appear as though the house is bleeding. The director has essentially made the house another character in the film. The red clay seeping into the pure white snow is also a very vivid image. It alludes to the blood that has been spilled on this land.

Even the costume design added to the fantastic imagery. The costumes alone were quite beautiful, but the focus on color adds a certain depth. Edith, who is full of life and innocence, typically is seen wearing some kind of white, beige, or yellow dress. This makes her stand out against the darkness of the house and the blood red of the clay that oozes from the walls. By contrast, both Thomas and Lucille wear very dark colors. It is almost as if their clothes are meant to show Thomas and Lucille’s connection to the house. This is especially clear with Lucille’s wardrobe. She primarily wears a blue dress that is so dark it is almost black. She almost blends in with the house as if she is one with it.

This film had an original story that actually kept me on the edge of my seat. It is a mystery being slowly unraveled as Edith follows the clues being laid out for her. It’s always a good sign when I’m not constantly guessing what will happen before it occurs in the movie. That isn’t to say there weren’t some things that seemed fairly obvious early on in the film. It was more that the way everything was revealed kept it interesting, even if you knew what was coming. Some may feel that the film moved rather slowly. I will concede that based on the trailer, the film looked like it was going to be filled with non-stop intense scares. There was plenty of intensity and definitely some great scares, some that even happen very early on, but the film definitely focuses more on the mystery side of things as well as character development (which is very important in a film like this).

All three of the leads in this film were absolutely flawless. Mia Wasikowska (Alice in Wonderland) was perfectly cast as Edith. She gives an air of youthful innocence yet she is independent and very intelligent. Wasikowska also excelled at portraying her character as terrified of the ghosts that haunt her, but also knowing she has to solve the mysteries surrounding these ghosts. I couldn’t imagine anyone else playing Thomas Sharpe except Tom Hiddleston (The Avengers). Hiddleston somehow manages to appear charmingly lovable and utterly sinister all at the same time. I don’t believe any other actor could achieve this. Finally, there is Jessica Chastain (Zero Dark Thirty). It is clear from her past work that she is a talented actress. Until now, I never knew how disturbing she could be. The only acting that I was not convinced by came from Charlie Hunnam (Sons of Anarchy). I usually enjoy his acting, but his delivery in this film just fell a bit flat.

Yet another amazing aspect of this film was the various special effects. Guillermo del Toro is known for his amazing use of CGI. The look created for the ghosts was disgusting, frightening, and beautiful all at once. What I was even more surprised about was the use a practical effects. This film had some rather brutal scenes of violence, which I did not even remotely expect, with gorgeous practical effects for the wounds. There is one particularly graphic scene that takes place just before Edith goes to England that blew me away.

There are so many amazing aspects of Crimson Peak. This film was dark, intense, scary, mysterious, and sexy. It has pretty much everything you could ask for in a great ghost film that actually has substance. While it was a truly thrilling movie, there are some things that keep it from being perfect. The biggest being simply that the trailer leads you to believe the film relies much more heavily on scaring you with ghosts than it really does. This is one thing that will likely upset many viewers. Personally, the fact that this film had an edge-of-your-seat mystery makes up for the fact that the ghosts were more used as clues rather than ways to terrify you. It is still one of my favorite films so far this year. I truly hope that this will lead to Guillermo del Toro writing and directing more horror films.

OVERALL RATING: 8.5/10

Horns

Poor Ig. He was just a young guy in love until the love of his life, Merrin, was raped and murdered. Now the entire town thinks he was the one who killed her, especially since his love had dumped him that very same night. In his despair, Ig turns his back on God and wakes up one morning to find that he is growing horns. These horns give him some rather interesting powers. The people that look at his horns feel the need to divulge their deepest darkest secrets to Ig, and he can make them do things, and when he touches a person he can see their secrets. The best part is, no one remembers this once they can’t see the horns anymore. Ig uses these new powers to try to find out who murdered his beloved and clear his name.

This was definitely an entertaining film. The story was your basic murder mystery, but they gave it a very interesting twist. Something else that I really enjoyed was the story had flashbacks woven throughout the film. Sometimes movies do this and it gets boring because the flashbacks can be irrelevant to what is going on in the present. Horns did a great job of making sure the flashbacks not only gave your really excellent back story so you better understand the characters, but the flashbacks also were important pieces to help explain what was happening in the present.

When it came to Ig’s power that makes people tell him the truth, he definitely gets some mixed results. Most of the time what people tell him is funny. Things like “I want to burn this place down to get the insurance money” and “I think about this person naked” are the types of humerus secrets usually heard. On the other hand, some of the confessions are far more serious. The scenes where Ig confronts his parents and they confess how they really feel is both very believable and very heartbreaking to watch. It makes the whole situation more realistic in the sense that you could imagine that is what his parents were really thinking but would never speak in a normal situation.

In terms of the effects, there were really only a few important ones to mention. Obviously, the horns themselves were very well done. Even in the beginning when you are watching them grow it looks pretty damn lifelike. There are also several CGI snakes in the later parts of the film. Obviously a lot of the time you can tell they are fake snakes, but there were many times where I couldn’t tell if the snake was real or not (they did use real snakes in certain scenes but even then it was hard to tell the difference). At the climax of the film there are some amazing CGI effects (which I won’t get too much into, I hate spoilers) that are beautifully done.

The one thing that bothered me was the actual mystery part of the film. Now, I am the kind of person that usually figures out the big twist very early on in a movie. That being said, I think most people can figure out who the real murderer is pretty early on without using a lot of brain power. It definitely made the story a little less exciting when Ig is anxiously trying to find the killer, but it was still entertaining watching everything unfold. I would say the bigger mystery isn’t so much who the killer is, but why Merrin broke up with him in the first place. That was also something that I figured out before it was revealed in the story, but it took a lot longer to figure out than who the murderer was.

I would definitely recommend this movie. If the fact that the film stars Harry Potter isn’t enough for you (it was enough for me), then see it because it’s a good story that is not only dark and ominous but also has some hilarity mixed in. It also has some random things that made me enjoy it like the fact that it took place in Washington state and it had great music. Just try not to be too disappointed if you figure out who the killer is pretty quickly. There are plenty of other aspects of the film that make it fun to watch.

OVERALL RATING: 8/10