Indonesian Film

Nightstream Capsule Review: The Queen of Black Magic

Indonesian horror fans will not want to miss The Queen of Black Magic at Nightstream Fest. Many of those fans will no doubt recognize the name of this film’s screenwriter, Joko Anwar (Impetigore, Satan’s Slave). Directed by Kimo Stamboel (Killers, Headshot), the film introduces the audience to three friends reuniting at the orphanage where they grew up to pay their respects to the dying owner. With their families in tow, they start to realize this isn’t the happy reunion they thought it would be.

The Queen of Black Magic is an intense watch. It wastes no time in setting up the tension, which quickly spirals into terror. It seems like there is a new shocking twist at every turn, but not to the point the plot becomes convoluted. The main cast is huge, and they are all wonderful to watch. Some of the standouts are Ario Bayu (Impetigore, Java Heat), Hannah Al Rashid (V/H/S 2, Gundala), and Putri Ayudya (Gundala, Homecoming).

In addition to the strong performances and intricate yet frightening plot, there are also plenty of disturbing scenes. Using both CGI and practical effects, the filmmakers create images that are sure to haunt some viewer’s nightmares. Each scene is beautifully done, even when dripping with blood and gore. The Queen of Black Magic is a terrifying film that will keep you guessing until the bitter, violent end.

OVERALL RATING: 8/10

Impetigore

After a deadly encounter with a stranger, Maya decides to learn more about the parents she never knew. With her best friend Dini in tow, they travel to a small village where Maya might be from. They soon regret ever trying to uncover the secrets of Maya’s past.

Beloved Indonesian writer and director, Joko Anwar (Satan’s Slaves, Folklore) brings audiences around the world new terror. Impetigore wastes no time in bringing suspense to the screen. The protagonist, Maya, has a frightening encounter at work that leaves her shaken and questions her past. She was raised by her aunt and knows almost nothing about her parents or where she comes from. From there, the tension continues to build as the two friends arrive at the remote village and get a chilly reception from the locals. Anwar takes his time with the plot, allowing the audience to connect with the two female leads. He also takes his time in revealing shocking revelation after shocking revelation leading to the explosive finale. There are so many secrets to unpack throughout the film and each one manages to be more surprising than the last. This focus on building suspense and minor scares over bigger jump scares and horror leads to an edge-of-your-seat viewing experience. It also results in a film that stands apart from others like it and an ending you won’t see coming.

One of the things I love about watching foreign horror films, and Impetigore specifically, is learning about different cultures. Every culture has its own legends, customs, and ghosts. Impetigore offers a fascinating glimpse into the customs of a rural Indonesian village and their unique view of curses. While the legends are incredibly interesting, the integration of traditional Indonesian puppetry is not only stunning, but it adds another captivating cultural aspect. As an anthropology major, I greatly appreciate when a horror film can be eerie as well as a learning experience.

Impetigore has a wonderful cast who all deliver haunting performances. Tara Basro (A Copy of My Mind, Gundala) stars as Maya. Basro gives off an air of innocence, which works well for her character. She is unaware of her past and deals with new information as best she can throughout her hellish journey. Marissa Anita (Gundala, Folklore) plays Maya’s best friend, Dini. Dini is a much more outspoken character and Anita perfectly shows how she is Maya’s protector and does what she can to be a supportive friend. Ario Bayu (Java Heat, Soekarno) plays the village elder, Ki Saptadi. Bayu’s portrayal of this character is memorable because he comes across as a very calm, stately man, but he also manages to convey a sinister nature in his eyes. Honorable mention goes to Christine Hakim (Eat Pray Love, The Golden Cane Warrior) and Asmara Abigail (Gundala, Satan’s Slaves). Together these two women offer two differing points of view of the superstitions of the small village.

Every scene in Impetigore is gorgeous and atmospheric. The film opens in the big city, but as soon as Maya and Dini travel to the village it’s as if they have been transported to another time. The set and production design are truly stunning to behold from the smaller huts to the grand house Maya’s parents once owned. The puppetry scenes are also quite beautiful. It is a traditional Indonesian form of puppetry that utilizes light to project the shadows of the puppets onto a screen. The use of light and dark, like with the puppets, is a common theme throughout Impetigore. In the village there is no electricity, so many of the night scenes are lit by candlelight. It creates an unsettling ambiance while also making each scene captivating. On top of that, there is even a surprising amount of disturbing and realistic practical effects that result in rather shocking scenes.

Impetigore is a bewitching Indonesian horror film that drips with atmosphere and spins an intricate web of magic and deception. Joko Anwar proves yet again that he is a talented storyteller. His handle on Indonesian folklore allows the rest of the world to be exposed to his frightening tales. The performances from the entire cast are delightful, especially Basro’s portrayal of Maya. Through the slow unravelling of the mystery of Maya’s family, audiences will not be able to look away at the truly fantastic visuals. And, because I unfortunately still have to do this for some people, I will warn audiences that the film is subtitled. Yet I hope that won’t deter anyone from feasting upon all Impetigore has to offer.

OVERALL RATING: 9/10