A young woman visits a mortuary to interview for a job. Throughout the course of the interview, the creepy mortician tells ghastly tales of how some of the bodies came to be in his mortuary. Spanning from the 50’s to the 80’s, each tale is more horrifying than the last.
Writer and director Ryan Spindell brings his feature-film debut to the Fantasia International Film Festival. The Mortuary Collection tells four tales of terror with a single overarching plot to tie it all together. That overarching is the story of a somewhat frightening mortician in his mortuary. After a funeral he gets a knock at the door and meets a young woman looking for a job. As he goes through the motions of the interview process, the young woman encourages him to tell scary stories. But these aren’t just any scary stories. These stories are about how and why certain bodies ended up in this mortuary.
The audience gets to hear stories from different subgenres of horror including a pickpocket from the 50’s who finds more than she bargained for, a 60’s frat boy who learns a lesson the hard way, a husband forced to make a tough choice about his invalid wife in the 70’s, and an homage to the classic 80’s babysitter/serial killer story. These stories are fascinating, yet I couldn’t shake the feeling that it has a bit of a “woman-hating” tone. Each of the main female characters typically is portrayed in a negative light or meets some kind of violence. I believe it may seem this way because the film also tends to portray women in roles typically reserved for men, but it was an aspect that gave me pause.
Despite spanning four decades and covering a wide range of topics, these stories feel unified. Each tale in The Mortuary Collection is unique, but Spindell unifies them by giving all of them the same, somewhat cheeky tone. There is a perfect marriage of gruesome events sprinkled with moments of dark humor. It gives the film a bit of a lighthearted feel despite some of the more horrifying and graphic stories being told. Even the overall look of the film helps tie the different stories together. They all have the same visual style, utilizing a heavily blue and green color palette. The filmmakers also had all the stories take place in the same town of Raven’s End. The scary, yet humorous tone combined with the eerie look of the film all blend seamlessly. It’s as though Scary Stories to Tell in the Dark and Creepshow came together and had a spooky baby.
Other visual aspects of The Mortuary Collection that enhance the look and vibe of the film are the production and effects designs. From the moment the camera moves through the streets of Raven’s End, the audience is transported back in time. The cars are clearly decades old, the buildings all look as if they have been around for at least 100 years, and the clothing matches the time period. The mortuary itself is an absolutely gorgeous Victorian building that I would definitely live in, even if it was haunted. The sets and costumes also help us move through the decades in each story and match perfectly to their respective time periods. To bring terror into these tales, the filmmakers use absolutely gorgeous practical effects. There is some CGI enhancement, but for the most part you can tell they wanted to keep it old school. The effects are just as stunning as they are disturbing, plus they add quite a bit of fright to the film.
From each segment, The Mortuary Collection encompasses tremendous performances. Everyone is truly magical, but it is the mortician and the young woman he is interviewing who stand out. Clancy Brown (Shawshank Redemption, Starship Troopers) stars as the mortician himself. This man is creepy, decrepit, and always seems to be laughing at some inside joke in his head. Clancy brings this character to life in the most memorable way, being both scary and funny all at once. Caitlin Fisher (Teen Wolf, Extraction) plays the interviewee, Sam. Fisher’s performance really stands out because, on the outside, Sam appears to be just a sweet girl looking for a job. Yet Sam is cunning and challenges the mortician at every turn and Fisher conveys that defiant nature quite well. Brown and Fisher also have a great banter between the two of them and seem to challenge each other for dominance at every turn.
The Mortuary Collection is an enthralling blend of scares and laughs that is a delight to watch from start to finish. The fact that this is Spindell’s feature-film debut makes me believe he is a writer/director horror fans should keep an eye on. As a whole and also looking at the individual tales of horror, the various plots are all unique and intriguing to watch and every performance is impressive. Unified by the gorgeous visuals and the storytelling mortician, The Mortuary Collection delivers a group of tales audiences are sure to enjoy.
OVERALL RATING: 8.5/10