Hereditary

Favorite Things: Best of 2018

TOP 10 HORROR FILMS

10. All the Creatures Were Stirring

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There are new Christmas horror films every year, and this is one of my favorite additions of the past decade. The anthology, written/directed by Rebekah and David Ian McKendry, has a little something for everyone and perfectly combines chills, laughs, and the holiday spirit. Click here for my full review.

9. Bird Box

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I had a difficult time choosing between Bird Box and A Quiet Place, but I thought this film was ever so slightly more well-put together. The film is thrilling while also pulling on the viewer’s heartstrings. What really elevates the film is the concept for the entities killing off the human race. Click here for my full review.

8. Overlord

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This film definitely surprised me. It is visually beautiful, has fantastic performances, and is as exciting as it his frightening. The filmmakers perfectly blend historical events with the horror genre in a way that catches the audience’s attention. Click here for my full review.

7. The Ritual

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The Ritual is dark, mysterious, and brings a depth to your typical lost in the woods subgenre of horror. The film uses gorgeous visuals to create a metaphor for grief and guilt. It also has some of the most beautiful creature design I’ve seen in a while. Click here for my full review.

6. Cam

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It’s not every day that sex work is portrayed in a way that is both realistic and non-negative. Cam does just that, plus it has a suspenseful horror twist that catches the viewer’s attention right up until the credits roll. Click here for my full review.

5. Suspiria (2018)

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This remake of Argento’s classic film brings audiences a new and hauntingly beautiful film. It boasts a compelling plot, outstanding performances, and some scenes of rather shocking brutality. The filmmakers definitely succeeded in honoring Argento’s film while also creating something new and unique. Click here for my full review.

4. Revenge

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Revenge is a film not talked about enough this year. The rape-revenge film, directed by Coralie Fargeat, truly brings something beautiful to the sometimes controversial subgenre of horror. It is visually stunning, has amazing performances, and has one of my favorite scores of the year. Click here for my full review.

3. Mandy

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This film was made for Nic Cage. It is insanity personified with amazing visuals, loads of carnage, and an amazing 80’s aesthetic. Cage shines in the role, and he delivers one of his most memorable performances to date. Click here for my full review.

2. Annihilation

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This scifi-horror genre bender is one of the most thought-provoking films of the year. It also has some of the best CGI effects of the past decade, creating an absolutely gorgeous film that is also terrifying in its own way. The female-driven film has it’s polarizing moments, but I loved every minute of it. Click here for my full review.

1. Hereditary

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Hereditary is the kind of horror film that is truly terrifying to me, and it is one of the scariest films I’ve seen in ages. It stuck with me long after the film ended. Toni Collette should win all the awards for her performance, and Alex Wolff held his own right along with her. This is the kind of film that you can watch again and again and still notice new details. Click here for my full review.

TOP 5 SHORT FILMS

  1. Wild
  2. What Metal Girls Are Into
  3. The Night Delivery
  4. Love Cuts Deep
  5. The Day Mum Became a Monster

TOP 5 TV SHOWS

  1. Channel Zero: The Dream Door
  2. Haunting of Hill House
  3. Chilling Adventures of Sabrina
  4. American Horror Story: Apocalypse
  5. Ash vs. Evil Dead (ended in 2018)

TOP 5 HORROR EVENTS

  1. The Last Drive-In With Joe Bob Briggs – Shudder
  2. Diners of Death with Joe Bob Briggs – Shudder
  3. A Very Joe Bob Christmas – Shudder
  4. International Horror and Sci-fi Film Festival – Phoenix, AZ
  5. Into the Dark – Hulu

TOP 5 HORROR FILM SCORES

  1. Revenge – Rob
  2. Halloween (2018) – John Carpenter, Cody Carpenter, and Daniel Davies
  3. Suspiria (2018) – Thom Yorke
  4. Mandy – Jóhann Jóhannsson
  5. Summer of 84 – Le Matos
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Hereditary

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Annie’s estranged mother has passed away. In the wake of the death, Annie and the rest of her family feel the effects of the loss. It leads to Annie’s mental state spiraling out of control as she experiences blow after blow. While learning new and bizarre things about her mother, it becomes clear that the death of the family matriarch caused a ripple effect that will change their lives forever.

Writer and director Ari Aster takes audiences on a strange and unexpected journey in his feature film debut. One of the most compelling aspects of the plot for Hereditary is that the story continues to surprise and go in unique directions. I made an effort to avoid all advertising for the film after the release of the initial trailer. With only this very limited exposure, I still had an idea of what I thought the film would be about. However, as soon as the film begins, all preconceived notions are thrown out the window. At regular intervals audiences will be shocked by events in the film that completely take the plot in new and thrilling directions. There are times when the film feels like a psychological film and other times it feels like a supernatural film; yet, every moment is filled with anxiety and paranoia. Each revelation gives new details into the horrifying events taking place, driving the plot forward as it zigs and zags in ways you never see coming. It is the kind of film that is difficult to truly explain without dissecting the plot, but that would lead to spoiling it for those who haven’t seen it yet.

This may not be what audiences and critics traditionally call “scary”; however, Hereditary is truly disturbing and terrifying to watch. Aster brilliantly chose to incorporate incredibly subtle details from start to finish. These details immediately put the audience on edge by letting them know something isn’t quite right, they just aren’t sure how yet. These details are also often downright frightening. The wrongness of what Aster puts on the silver screen is something that audiences are able to feel just as much as see. There is maybe only one genuine jump scare in the entire film, but regardless, the entire film overflows with images that make viewers feel the anxiety and fear right along with the characters. The film is filled with a genuine sense of dread, leaving you deeply unsettled in both a visceral and disturbing way, more so than any jump scare ever could.

Much of these subtle details and terrifying images come from the beautiful way in which the film is shot. There are numerous stunning transitions and ways in which various scenes are framed that both add beauty to the film while also emphasizing the more disturbing parts. Aster also perfectly utilizes miniatures, made by Annie in the film, seamlessly weaving between the real world and the miniature models of the real world. The sets and locations add to this as well. The house where the Graham family lives is gorgeous and dark, giving it an eerie feel even before anything weird happens. There is a very neutral, dark color pallet in the film casting a shadow over the entire family. Every location gives a sense of isolation, from the houses to the art supply store. Even the sparingly used practical effects are subtle and dark as they are meant to heighten the paranoia rather than startle or scare audiences. These elements truly make the film just as stunning as it is disturbing.

The plot is carried by some absolutely superb performances. Toni Collette (Krampus, The Sixth Sense) gives what could be the performance of her career as Annie. Annie has lived a difficult life filled with tragedy, thanks in large part to her bizarre mother. Collette does an amazing job of conveying Annie as a woman who inwardly is strong, but on the outside she appears to others as unstable. She plays with the audience, making us wonder if Annie is sane, or if she is just as disturbed as her mother was. In many of the more intense scenes, Collette is simply perfect in the way she displays emotion and terror and helplessness. It is as if the role was made for her. One of the most surprising performances came from Alex Wolff (My Friend Dahmer, Patriots Day) as Annie’s son, Peter. Watching how Peter reacts as his family slowly falls apart, as well as how he reacts to the increasingly strange happenings, is absolutely mesmerizing. This was an unexpected performance from Wolff, and it makes me look forward to seeing him in more films. Finally, there is Milly Shapiro, in her film debut as Charlie. Shapiro somehow makes Charlie come across as both innocent and eerie, which is no easy feat. It is never clear how much or how little Charlie knows about what is going on around her, and it only adds to the anxiousness of the plot. The entire cast gives the film a haunting and emotional edge.

Hereditary is a disturbing descent into madness that highlights all the best parts of the horror genre. It takes you in directions you never imagined, and it fills you with a deep sense of anxiety, all the while giving audiences a completely unique plot. Combined with fantastic performances and gorgeously dark visuals, it delivers the perfect horror film. I’m confident this film will reveal new revelations and insights each time it is watched, due to how perfectly Aster incorporated minute details that may be missed on the first (or even second) viewing. With how minimal Aster kept many aspects the film, it is hard to believe how truly effective and terrifying every moment is. There is not a single thing I would change about this film, and I honestly can’t wait to see it again. My biggest piece of advice for fans going into this film for the first time: try your hardest to absorb every precise detail on the screen. You never know what might be important later on.

OVERALL RATING: 10/10