Coming all the way from Australia, Portland Horror Film Festival audiences had the opportunity to see a stylish new horror film, T Blockers. The film was directed by now 18-year-old Alice Maio Mackay, who rose in popularity with horror fans after her 2021 feature film, So Vam, made its way to Shudder. Mackay co-wrote this film with Benjamin Pahl Robinson, also of So Vam fame. T Blockers introduces the audience to a young transgender filmmaker named Sophie. When ancient parasites begin to take over the minds of men in her town, Sophia discovers she has a unique ability to sense the parasites, making her the only one who can stop this deadly takeover.

The general premise feels reminiscent of horror films of the past such as Invasion of the Body Snatchers, Night of the Creeps, and Slither, but with two major differences. The first difference is that these identity-stealing beings come from deep within the Earth rather than outer space. The second is that T Blockers does not hold back on making socio-political statements as part of the horror. While we all know horror has always been political, Mackay incorporates issues in the world today and interweaves it into the terror until it’s impossible to separate the two. On the surface, the most obvious socio-political issue the film tackles is simply existing as a trans person in an increasingly hostile climate. Even as the protagonist tries to live her life, there is always a sense of danger because there’s no way to know how strangers will react to her. By making her transition somewhat of a superpower, Sophie is the hero of the story rather than a victim of hate. The people the parasites target brings in another socio-political level. All of those who are taken over by parasites are considered weak and susceptible. In this case, those vulnerable people are toxic men. The kind of men one might expect to be fans of Andrew Tate. It perfectly encapsulates real-life issues in a horrifying package that lifts up the LGBTQIA+ community while poking fun at toxic masculinity.

At only about 75 minutes in length, T Blockers is a quick, wild ride. While for the most part the film draws you in and holds your attention, I will say the momentum lags a bit leading up to the climax. T Blockers starts with such a bang and really allows you to get to know the characters, but it almost seems as though too much is revealed too soon. The result is a bit of a slight lull from about the halfway point leading up to the climax. It isn’t enough of a lull to lose interest in what will happen next, but some audiences are sure to feel that lost energy.

T Blockers takes a lot of care to build character development. Within the first scene or two, audiences are sure to feel endeared to the small group of friends, making us root for them to succeed. Lauren Last makes her acting debut as Sophie, transgender filmmaker, horror fan, and movie theater employee. Last comes across so natural and effortless in this role, as if they are Sophia and the audience is simply getting to spy on their life. Sophie is someone many young queer and trans people are sure to connect with and Last perfectly embodies the character. Another great performance comes from Lewi Dawson (Bad Girl Boogey) as Sophie’s best friend, Spencer. Dawson also gives a performance that has an authenticity to it, making Spencer the fun, fiery, protective bestie we all wish we had. Both Last and Dawson have fantastic on-screen chemistry, convincing the audience that these two are truly the best of friends. Other great performances come from Lisa Fanto (Bad Girl Boogey) and Toshiro Glenn (Bad Girl Boogey).

Adding to the appeal of T Blockers are some fantastic visuals. Audiences are sure to immediately take notice of the hazy, neon-soaked lighting. It’s gorgeous to look at and adds to the atmosphere of the story. Because this is a low-budget indie horror film, there are quite a few smart choices when it comes to the parasitic beings. The worm-like creatures themselves were practically done and look like something straight out of an 80’s horror film. There is a cheesiness to them that is clearly intentional and adds a charming nostalgia. Once the parasite has taken over, the possessed have a simple yet effective look that mostly consists of dark circles under the eyes and black goo in the mouth. The goo especially has an impact, resulting in a striking and disturbing look anytime one of the villains has a malicious grin across their face.

T Blockers is a perfect example of how to incorporate socio-political issues into horror, resulting in a film that is as thought-provoking as it is entertaining. At such a young age, Mackay is already making quite a name for herself as a horror filmmaker to watch. This is the kind of film that is going to make so many young LGBTQIA+ people feel seen and offers a cathartic release in how it battles toxic masculinity. Aside from having an intriguing plot, audiences are sure to enjoy the compelling performances, gorgeous lighting, and nostalgic practical effects. Horror fans are definitely going to want to follow Mackay’s career as she continues to make thrilling new films.

OVERALL RATING: 7.5/10